In detailing the relationship of three women filmmakers’ lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema.
 
At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics.
 
Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women’s labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde’s importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.
 

 
Although the international press closely chronicled the dismantling of South Africa's apartheid policies, it paid little attention to the unique role women from a variety of political parties played in establishing the new government. Utilizing interviews, participant observation, and archival research, Women in the South African Parliament tells an inspiring story of liberation, showing how these women achieved electoral success, learned to work with lifelong enemies, and began to transform Parliament by creating more space for women's voices during a critical time in the life of their democracy.
Arguing from her detailed analysis of the strategies and political tactics used by these South African women, both individually and collectively, Hannah Britton contends that, contrary claims in earlier studies of the developing world, mobilization by women prior to a transition to democracy can lead to gains after the transition--including improvements in constitutional mandates, party politics, and representation. At the same time, Britton demonstrates that not even national leadership can ensure power for all women and that many who were elected to South Africa's first democratic parliament declined to run again, feeling they could have a greater impact working in their own communities.