front cover of The Good Rainbow Road
The Good Rainbow Road
Simon J. Ortiz; Illustrations by Michael Lacapa
University of Arizona Press, 2004
This is the story of two courageous boys and of how they saved their village.

Their village is called Haapaahnitse, Oak Place, and it lies at the foot of a mountain. Once there was a lake and a stream nearby, but they have dried up. Once rain and snow came, but no more. Not only did the crops wither and die, even the hardy oak trees have become brittle sticks. The land has become barren and dry.

Two brothers, Tsaiyah-dzehshi, whose name means First One, and Hamahshu-dzehshi, Next One, are chosen for an important mission. They are sent on a westward trek to the home of the Shiwana, the Rain and Snow Spirits, to ask them to bring the gift of water to the village again. The brothers cross deserts and mountains on an arduous journey until they are finally stopped short by a treacherous canyon filled with molten lava.

The Good Rainbow Road tells how the brothers overcome this last challenge and continue on to their destination. Written in the tradition of Native American oral storytelling and accompanied by colorful illustrations from celebrated Native artist Michael Lacapa, it brings the powers of language, memory, and imagery to a tale that will captivate children ages seven and up.

As Simon Ortiz writes, "The Good Rainbow Road is located in the Native American world, but it is not limited to that world. Even considering humankind's many ethnic and racial differences, we are all part of each other as people and the rest of all Creation, and our stories join us together." This is the foundation of The Good Rainbow Road, and on that road young readers will broaden their understanding of humanity's common bonds.

The Good Rainbow Road is presented in Keres, the language of Acoma Pueblo and six other Pueblo communities in New Mexico, and in English, with an additional Spanish translation in the back of the book.

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Rainbows
Nature and Culture
Daniel MacCannell
Reaktion Books, 2018
The rainbow is a compelling spectacle in nature—a rare, evanescent, and beautiful bridge between subjective experience and objective reality—and no less remarkable as a cultural phenomenon. A symbol of the Left since the German Peasants’ War of the 1520s, it has been adopted by movements for gay rights, the environment, multiculturalism, and peace around the globe, and has inspired poets, artists, and writers including John Keats, Caspar David Friedrich, Edgar Allan Poe, and Nathaniel Hawthorne. In this book, the first of its kind, Daniel MacCannell offers an enlightening and instructive guide to the rainbow’s multicolored relationship with humanity.

The scientific “discovery” of the rainbow is a remarkable tale, taking in ancient Greece and Rome, medieval Persia, and Islamic Spain. But even as we’ve studied rainbows, adopted their image, and penned odes to them for millennia, rainbows have also been regarded as ominous or even dangerous in myth and religion. In the twentieth century, the rainbow emerged as kitsch, arcing from the musical film version of The Wizard of Oz to 1980s sitcoms and children’s cartoons. Illustrated throughout in prismatic color, MacCannell’s Rainbows explores the full spectrum of rainbows’ nature and meaning, offering insight into what rainbows are and how they work, how we arrived at our current scientific understanding of the phenomenon, and how we have portrayed them in everything from myth to the arts, politics, and popular culture.
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Rainbows of Stone
Ralph Salisbury
University of Arizona Press, 2000

Son of a Cherokee-English father and an Irish mother, Ralph Salisbury grew up among storytellers and has shared his family's tales and experiences in seven previous books of prose and poetry. Now in Rainbows of Stone he returns with a striking collection of poems that interweaves family tales with personal and tribal history.

Salisbury conjures images that define his life, from the vanishing farming and hunting traditions with which he was raised to his experiences in World War II as a member of a bomber crew. He writes of himself and of Indian people as Vanishing Americans—vanishing into the mingling of races—and sees himself as a pacifistic patriot concerned that we not continue the destructive reliance on war that marks our history.

Writing as one who is "not part Indian, part white, but wholly both," Salisbury has produced a haunting, powerful work that expresses his devotion to the Cherokee religion, its fidelity to its forebears, and its harmony with the forces of Nature. For all concerned with ecology, social justice, and peace, Rainbows of Stone conveys a growing awareness of the world and a sense of how each individual connects with the universal and timeless realities of every other human being.

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