From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany, with a particular focus on cultural interplay. Covering a wide range of media of expression—music, performance, film, scholarship, literature, visual arts, reviews—these essays trace and analyze a cultural interaction, collaboration, and mutual transformation that began in the eighteenth century, boomed during the Harlem Renaissance/Weimar Republic, survived the Third Reich’s “Degenerate Art” campaigns, and (with new media available to further exchanges), is still increasingly empowering and inspiring participants on both sides of the Atlantic.

Historian Timothy L. Schroer's Recasting Race after World War II explores the renegotiation of race by Germans and African American GIs in post-World War II Germany. Schroer dissects the ways in which notions of blackness and whiteness became especially problematic in interactions between Germans and American soldiers serving as part of the victorious occupying army at the end of the war.

The segregation of U.S. Army forces fed a growing debate in America about whether a Jim Crow army could truly be a democratizing force in postwar Germany. Schroer follows the evolution of that debate and examines the ways in which postwar conditions necessitated reexamination of race relations. He reveals how anxiety about interracial relationships between African American men and German women united white American soldiers and the German populace. He also traces the importation and influence of African American jazz music in Germany, illuminating the subtle ways in which occupied Germany represented a crucible in which to recast the meaning of race in a post-Holocaust world.

Recasting Race after World War II will appeal to historians and scholars of American, African American, and German studies.

In 1984 at the Free University of Berlin, the African American poet Audre Lorde asked her Black, German-speaking women students about their identities. The women revealed that they had no common term to describe themselves and had until then lacked a way to identify their shared interests and concerns. Out of Lorde's seminar emerged both the term "Afro-German" (or "Black German") and the 1986 publication of the volume that appeared in English translation as Showing Our Colors: Afro-German Women Speak Out. The book launched a movement that has since catalyzed activism and scholarship in Germany.

Remapping Black Germany collects thirteen pieces that consider the wide array of issues facing Black German groups and individuals across turbulent periods, spanning the German colonial period, National Socialism, divided Germany, and the enormous outpouring of Black German creativity after 1986.

In addition to the editor, the contributors include Robert Bernasconi, Tina Campt, Maria I. Diedrich, Maureen Maisha Eggers, Fatima El-Tayeb, Heide Fehrenbach, Dirk Göttsche, Felicitas Jaima, Katja Kinder, Tobias Nagl, Katharina Oguntoye, Peggy Piesche, Christian Rogowski, and Nicola Lauré al-Samarai.