This book is about cinema and the cultural Cold War in Asia, set against the larger history of the cultural, political, and institutional linkages between the US, Europe, and Asia at the height of the Cold War. From the popularity of CIA-sponsored espionage films in Hong Kong and South Korea to the enduring Cold War rhetoric of brotherly relations in contemporary Sino-Indian co-production, cinema has always been a focal point of the cultural Cold War in Asia. Historically, both the United States and the Soviet Union viewed cinema as a powerful weapon in the battle to win hearts and minds—not just in Europe, but also in Asia. The Cold War in Asia was, properly speaking, a hot war, with proxy military confrontations between the United States, on one side, and the Soviet Union and China on the other. Amid this political and military turbulence, cataclysmic shifts occurred in the culture and history of Asian cinemas as well as in the latitude of US cultural diplomacy in Asia. The collection of essays in this volume sheds light on the often-forgotten history of the cultural Cold War in Asia. Taken together, the volume’s fifteen chapters examine film cultures and industries in Asia to showcase the magnitude and depth of the Cold War’s impact on Asian cinemas, societies, and politics. By shifting the lens to Asia, the contributors to this volume re-examine the dominant narratives about the global Cold War and highlight the complex and unique ways in which Asian societies negotiated, contested, and adapted to the politics and cultural manifestations of the Cold War.

For more than thirty years, the U.S. Catholic Historian has mapped the diverse terrain of American Catholicism. This collection of recent essays tells the story of Catholics previously underappreciated by historians: women, African Americans, Latinos, Asian Americans, and those on the frontier and borderlands.

Timothy Matovina’s opening essay sets the theme for the volume, encouraging a remapping of U.S. Catholic history to more widely encompass its various localities and peoples, especially the significance of non-European ethnic groups and the role of Catholics in the American Southwest. Jeanne Petit explores Catholic womanhood’s strength and organizational zeal in the post-World War I era, noting the obstacles and successes of women’s attempts to be recognized fully as American citizens and members of the Church. Anne Klejment weaves together the lives of Dorothy Day and Cesar Chavez to illustrate their use of nonviolence and “weapons of the spirit” to respond to societal injustice. Amanda Bresie provides a window into the life of Mother Katharine Drexel, noting the generosity of the millionaire heiress, but also her meticulous record keeping and close supervision of her funding of educational and evangelization e­orts among Native and African Americans. Kristine Ashton Gunnell analyzes the ways in which the Daughters of Charity crossed cultural boundaries to off­er charitable assistance to Mexican and Japanese communities in Los Angeles. Matthew Cressler explores the intersection of Black Power and distinctive African American-inspired liturgies, arguing that the liturgy became a site of struggle as black self-determination and nationalism impacted worship and black Catholic identity. Finally, Joseph Chinnici off­ers an important essay on re-envisioning post-conciliar U.S. Catholicism in its global context, off­ering a new approach to how we consider the American Catholic narrative and write its history.

Together these path-breaking studies serve as a model for historians seeking to engage in the cartographic task of remapping the U.S. Catholic experience.