Before Fidel Castro seized power, Cuba was an ebullient and chaotic society in a permanent state of turmoil, combining a raucous tropical nature with the evils of arbitrary and corrupt government. Yet this fascinating period in Cuban history has been largely forgotten or misrepresented, even though it set the stage for Castro's dramatic takeover in 1959. To reclaim the Cuba that he knew—and add color and detail to the historical record—distinguished political scientist Francisco José Moreno here offers his recollections of the Cuba in which he came of age personally and politically.
Moreno takes us into the little-known world of privileged, upper-middle-class, white Cubans of the 1930s through the 1950s. His vivid depictions of life in the family and on the streets capture the distinctive rhythms of Cuban society and the dynamics between parents and children, men and women, and people of different races and classes. The heart of the book describes Moreno's political awakening, which culminated during his student years at the University of Havana. Moreno gives a detailed, insider's account of the anti-Batista movement, including the Ortodoxos and the Triple A. He recaptures the idealism and naiveté of the movement, as well as its ultimate ineffectiveness as it fell before the juggernaut of the Castro Revolution. His own disillusionment and wrenching decision to leave Cuba rather than accept a commission in Castro's army poignantly closes the book.
In this poetic, introspective memoir, Kenny Fries illustrates his intersecting identities as gay, Jewish, and disabled. While learning about the history of his body through medical records and his physical scars, Fries discovers just how deeply the memories and psychic scars run. As he reflects on his relationships with his family, his compassionate doctor, the brother who resented his disability, and the men who taught him to love, he confronts the challenges of his life. Body, Remember is a story about connection, a redemptive and passionate testimony to one man’s search for the sources of identity and difference.
The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred, Sherley Anne Williams’s Dessa Rose, Toni Morrison’s Beloved, J. California Cooper’s Family, and Lorene Cary’s The Price of a Child.
Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as “liberatory narratives.” These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the “safe” vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realitiesof slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.
In the early hours of November 5, 1605, Guy Fawkes, an English Catholic who had served with the Spanish army in Flanders, was discovered in a storeroom under the Palace of Westminster—and with him, thirty-six barrels of gunpowder earmarked to obliterate England’s royal family, top officials, and members of Parliament gathered for Parliament’s opening day. Had it succeeded, this Gunpowder Plot—a Catholic conspiracy against the recently crowned Protestant King James I and his government—English history would have been shaped by a terrorist act of unprecedented proportions.
Today Guy Fawkes—whose name has long stood for the conspiracy—is among the most notorious figures in English history; and Bonfire Night, observed every November 5th to memorialize the narrowly foiled Gunpowder Plot, is one of the country’s most festive occasions. Why has the memory of this act of treason and terrorism persisted for 400 years? In Remember, Remember James Sharpe takes us back to 1605 and teases apart the tangled web of religion and politics that gave rise to the plot. And, with considerable wit, he shows how celebration of that fateful night, and the representation of Guy Fawkes, has changed over the centuries.
James Sharpe’s colorfully told story has wide implications. The plot of 1605 has powerful resonances today, in a time of heightened concern about ideological conflict, religious fanaticism, and terrorism. And his account of the festivities marking the momentous event comments on the role of rituals in constructing national histories.
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