front cover of Acts of Repair
Acts of Repair
Justice, Truth, and the Politics of Memory in Argentina
Natasha Zaretsky
Rutgers University Press, 2021
Acts of Repair explores how ordinary people grapple with decades of political violence and genocide in Argentina—a history that includes the Holocaust, the political repression of the 1976–1983 dictatorship, and the 1994 AMIA bombing. Although the struggle against impunity seems inevitably incomplete, Argentines have created possibilities for repair through cultural memory, yielding spaces for transformation and agency critical to personal and political recovery.
 
[more]

front cover of An Archive of Possibilities
An Archive of Possibilities
Healing and Repair in Democratic Republic of Congo
Rachel Marie Niehuus
Duke University Press, 2024
In An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imagine and articulate alternative ways of living in a global regime of antiblackness.
[more]

front cover of The City after Property
The City after Property
Abandonment and Repair in Postindustrial Detroit
Sara Safransky
Duke University Press, 2023
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
[more]

front cover of Poetics of Repair
Poetics of Repair
Contemporary Arts and Afterlives of Colonial-Era Mass Housing in the Maghreb
Katarzyna Pieprzak
Duke University Press, 2025
Today, most colonial-era modernist mass housing is seen as fundamentally broken: crumbling concrete spaces of social alienation and containment that fractured societies both then and now. In Poetics of Repair, Katarzyna Pieprzak examines how contemporary visual, literary, and performance art of the Maghreb has the potential to change the terms, histories, and imagined futures of mass housing in North Africa and France. Pieprzak dives deeply into contemporary art engagements with three mass housing sites that epitomize the French colonial geography of modernist architecture in the Maghreb. She identifies in this art what she names a transformative “poetics of repair”: a practice that conjoins, puts in relation, or simply brings closer together broken materials, separated people, and severed timelines. Reading art and its engagements with mass housing, Pieprzak argues, has the potential to unmoor established knowledge and rehearse the tensions and productive ambiguities inherent to practices of constitution and revision. She demonstrates that such a reading practice is a step toward a reparative epistemology for mass housing that turns sites of wreckage and alienation into sites of possible solidarities and new formulations of history and experience.
[more]

front cover of Remains of the Soviet Past in Estonia
Remains of the Soviet Past in Estonia
An Anthropology of Forgetting, Repair and Urban Traces
Francisco Martinez
University College London, 2018
What happens to legacies that do not find any continuation? In Estonia, a new generation that does not remember the socialist era and is open to global influences has grown up. As a result, the impact of the Soviet memory in people's conventional values is losing its effective power, allowing for new opportunities for recuperation.

Francisco Martinez brings together a number of sites of interest to explore the vanquishing of the Soviet legacy in Estonia: a street market in Tallinn where concepts such as "market" and "employment" take on distinctly different meanings from their Western use; Linnahall, a multi-purpose venue, whose Soviet heritage now poses difficult questions of how to present the building’s history; Tallinn’s cityscape, where the social, spatial, and temporal coevolution of the city can be viewed and debated; Narva, a city that marks the border between the Russian Federation, NATO, and the European Union and represents a place of continual negotiation; and the new Estonian National Museum in Raadi, an area on the outskirts of Tartu that has avoided promoting a single narrative of the past.

By exploring these places of cultural and historical significance, which all contribute to our understanding of how the new generation in Estonia is not following the expectations and values of its predecessor, the book also demonstrates how we can understand generational change in a material sense.
[more]

front cover of River Futures
River Futures
An Integrative Scientific Approach to River Repair
Edited by Gary J. Brierley and Kirstie A. Fryirs
Island Press, 2008
Across much of the industrialized world, rivers that were physically transformed and ecologically ruined to facilitate industrial and agricultural development are now the focus of restoration and rehabilitation efforts. River Futures discusses the emergence of this new era of river repair and documents a comprehensive biophysical framework for river science and management.
The book considers what can be done to maximize prospects for improving river health while maintaining or enhancing the provision of ecosystem services over the next fifty to one-hundred years. It provides a holistic overview of considerations that underpin the use of science in river management, emphasizing cross-disciplinary understanding that builds on a landscape template.
 
The book
  • frames the development of integrative river science and its application to river rehabilitation programs
  • develops a coherent set of guiding principles with which to approach integrative river science
  • considers the application of cross-disciplinary thinking in river rehabilitation experiences from around the world
  • examines the crossover between science and management, outlining issues that must be addressed to promote healthier river futures

Case studies explore practical applications in different parts of the world, highlighting approaches to the use of integrative river science, measures of success, and steps that could be taken to improve performance in future efforts.

River Futures offers a positive, practical, and constructive focus that directly addresses the major challenge of a new era of river conservation and rehabilitation—that of bringing together the diverse and typically discipline-bound sets of knowledge and practices that are involved in repairing rivers. It is a valuable resource for anyone involved in river restoration and management, including restorationists, scientists, managers, and policymakers, as well as undergraduate and graduate students.
[more]

front cover of The Ruse of Repair
The Ruse of Repair
US Neoliberal Empire and the Turn from Critique
Patricia Stuelke
Duke University Press, 2021
Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change. In The Ruse of Repair, Patricia Stuelke locates the reparative turn's hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements' visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn's complicated and fraught genealogy, Stuelke questions reparative criticism's efficacy in ways that will prompt critics to reevaluate their own reading practices.
[more]

logo for Duke University Press
Speculative Relations
Indigenous Worlding and Repair
Joseph M. Pierce
Duke University Press, 2025
Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In Speculative Relations, Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
[more]

logo for Duke University Press
Spoiled
Asian American Hostility and the Damage of Repair
Summer Kim Lee
Duke University Press, 2025
In Spoiled, Summer Kim Lee examines how contemporary Asian American artists challenge expectations that their work should repair the wounds of racial trauma. Kim Lee turns to the “spoiled”—the racialized, gendered body and all that it consumes, wrecks, and inflicts in its desire and excess—in visual culture, performance, music, and literature. Reading works by Cato Ouyang, Patty Chang, Wu Tsang, TJ Shin, Jes Fan, and others, Kim Lee highlights moments of hostility and deformation that spoil idealizations of Asian Americanness and incite modes of feeling and relating that relinquish fantasies of wholeness, power, and control. She observes the latent aggressive behaviors and negative affects in Asian American aesthetic practice—the embarrassment of asociality, the imposition of speaking as someone else, and the indulgence of ravenous appetites. In so doing, Kim Lee questions the political desires for repair expressed in “feeling Asian” and stays with the damage that spoilage creates as integral to the kinds of repair that Asian Americans seek.

Duke University Press Scholars of Color First Book Award
[more]

front cover of To Repair a Broken World
To Repair a Broken World
The Life of Henrietta Szold, Founder of Hadassah
Dvora Hacohen
Harvard University Press, 2021

The authoritative biography of Henrietta Szold, founder of Hadassah, introduces a new generation to a remarkable leader who fought for women’s rights and the poor.

Born in Baltimore in 1860, Henrietta Szold was driven from a young age by the mission captured in the concept of tikkun olam, “repair of the world.” Herself the child of immigrants, she established a night school, open to all faiths, to teach English to Russian Jews in her hometown. She became the first woman to study at the Jewish Theological Seminary, and was the first editor for the Jewish Publication Society. In 1912 she founded Hadassah, the international women’s organization dedicated to humanitarian work and community building. A passionate Zionist, Szold was troubled by the Jewish–Arab conflict in Palestine, to which she sought a peaceful and equitable solution for all.

Noted Israeli historian Dvora Hacohen captures the dramatic life of this remarkable woman. Long before anyone had heard of intersectionality, Szold maintained that her many political commitments were inseparable. She fought relentlessly for women’s place in Judaism and for health and educational networks in Mandate Palestine. As a global citizen, she championed American pacifism. Hacohen also offers a penetrating look into Szold’s personal world, revealing for the first time the psychogenic blindness that afflicted her as the result of a harrowing breakup with a famous Talmudic scholar.

Based on letters and personal diaries, many previously unpublished, as well as thousands of archival documents scattered across three continents, To Repair a Broken World provides a wide-ranging portrait of a woman who devoted herself to helping the disadvantaged and building a future free of need.

[more]


Send via email Share on Facebook Share on Twitter