A reflection on the state of democracy and observance of the British constitution in the United Kingdom.

In The Bonfire of the Decencies, Peter Hennessy and Andrew Blick use Boris Johnson’s tenure as prime minister to argue that mechanisms for the upholding of constitutional principles in the United Kingdom are deficient and require an overhaul. They show that, from the outset, Johnson’s time in office was a source of serious disruption that saw standards and integrity compromised, as well as constitutional values violated. Those problems, however, did not end with Johnson’s removal from office. Rather, they are part of longer-term tendencies in the UK, and of a worrying international trend towards the weakening of democracy. Hennessy and Blick analyze the pre-existing vulnerabilities that Johnson exposed in the UK system of government and conclude with a series of proposals to repair the damage and prevent a repetition of this anxious episode in the UK’s political history.
 

An examination of planning, place, and the politics of repair in post-genocide Rwanda.

Master Plans and Minor Acts examines a “material politics of repair” in post-genocide Rwanda, where in a country saturated with deep historical memory, spatial master planning aims to drastically redesign urban spaces. How is the post-conflict city reconstituted through the work of such planning, and with what effects for material repair and social conciliation?

Through extended ethnographic and qualitative research in Rwanda in the decades after the genocide of 1994, this book questions how repair after conflict is realized amidst large-scale urban transformation. Bridging African studies, urban studies, and human geography in its scope, this work ties Rwanda’s transformation to contexts of urban change in other post-conflict spaces, bringing to the fore critical questions about the ethics of planning in such complex geographies. 
 

Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life’s design.