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Adventures in Retrieval
Han Murals and Shang Bronze Molds
Wilma Fairbank
Harvard University Press, 1972
Wilma Fairbank’s classic articles on Han murals and Shang bronzes evolved from her empirical investigations and are gathered here in a single, fully illustrated volume. A new Introduction describes her journeys through China, and the people and circumstances that fostered her continuing interest in Chinese art.
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Home in America
On Loss and Retrieval
Thomas Dumm
Harvard University Press, 2019

An extraordinary inquiry into the meaning of home, through explorations literary and political, philosophical and deeply personal, by the acclaimed author of Loneliness as a Way of Life.

Home as an imagined refuge. Home as a place of mastery and domination. Home as a destination and the place we try to escape from. Thomas Dumm explores these distinctively American understandings of home. He takes us from Thomas Jefferson’s Monticello and Henry David Thoreau’s Walden to Laura Ingalls Wilder’s little house on the prairie and Emily Dickinson’s homestead, and finally to the house Herman Wallace imagined and that sustained him during his forty-one years of solitary confinement at Angola State Penitentiary.

Dumm argues that it is impossible to separate the comforting and haunting aspects of home. Each chapter reveals a different dimension of the American experience of home: slavery at Monticello, radical individuality at Walden, Indian-hating in the pioneer experience, and the power of remembering and imagining home in extreme confinement as a means of escape. Hidden in these homes are ghosts—enslaved and imprisoned African Americans, displaced and massacred Native Americans, subordinated homemakers, all struggling to compose their lives in a place called home.

Framed by a prologue on Dad and an epilogue on Mom, in which the author reflects on his own experiences growing up in western Pennsylvania with young parents in a family of nine children, Home in America is a masterful meditation on the richness and poverty of an idea that endures in the world we have made.

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The Retrieval of the Beautiful
Thinking Through Merleau-Ponty’s Aesthetics
Galen A. Johnson
Northwestern University Press, 2010

In this elegant new study Galen Johnson retrieves the concept of the beautiful through the framework of Merleau-Ponty’s aesthetics. Although Merleau-Ponty seldom spoke directly of beauty, his philosophy is essentially about the beautiful.

In Johnson’s formulation, the ontology of Flesh as element and the ontology of the Beautiful as elemental are folded together, for Desire, Love, and Beauty are part of the fabric of the world’s element, Flesh itself, the term at which Merleau-Ponty arrived to replace Substance, Matter, or Life as the name of Being.

Merleau-Ponty’s Eye and Mind is at the core of the book, so Johnson engages, as Merleau-Ponty did, the writings and visual work of Paul Cézanne, Auguste Rodin, and Paul Klee, as well as Rilke’s commentary on Cézanne and Rodin. From these widely varying aesthetics emerge the fundamental themes of the retrieval of the beautiful: desire, repetition, difference, rhythm, and the sublime. The third part of Johnson’s book takes each of these up in turn, bringing Merleau-Ponty’s aesthetic thinking into dialogue with classical philosophy as well as Sartre, Heidegger, Nietzsche, and Deleuze. Johnson concludes his final chapter with a direct dialogue with Kant and Merleau-Ponty, and also Lyotard, on the subject of the beautiful and the sublime. As we experience with Rodin’s Balzac, beauty and the sublime blend into one another when the beautiful grows powerful, majestic, mysterious, and transcendent.

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