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The City, Revisited
Urban Theory from Chicago, Los Angeles, and New York
Dennis R. Judd
University of Minnesota Press, 2011
The contributors to The City, Revisited trace an intellectual history that begins in 1925 with the publication of the influential classic The City, engaging in a spirited debate about whether the major theories of twentieth-century urban development are relevant for studying the twenty-first-century metropolis.

Contributors: Janet Abu-Lughod, Northwestern U and New School for Social Research; Robert Beauregard, Columbia U; Larry Bennett, DePaul U; Andrew A. Beveridge, Queens College and CUNY; Amy Bridges, U of California, San Diego; Terry Nichols Clark, U of Chicago; Nicholas Dahmann, U of Southern California; Michael Dear, U of California, Berkeley; Steven P. Erie, U of California, San Diego; Frank Gaffikin, Queen's U of Belfast; David Halle, U of California, Los Angeles; Tom Kelly, U of Illinois at Chicago; Ratoola Kunda, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; John Mollenkopf, CUNY; David C. Perry, U of Illinois at Chicago; Francisco Sabatini, Ponticia Universidad Catolica de Chile; Rodrigo Salcedo, Pontificia Universidad Catolica de Santiago; Dick Simpson, U of Illinois at Chicago; Daphne Spain, U of Virginia; Costas Spirou, National-Louis U in Chicago.
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Country Music Message
Revisited
Jimmie Rogers
University of Arkansas Press, 1988

The Country Music Message: Revisited is more than a history of commercial country music, a discussion of the performers, or a compilation of song lyrics. It is an examination of the way the “message” in country songs is relayed and received: why the songs move us as they do. As Jimmie Rogers saying in his preface, “A country song is a special form of communication——communication that more closely resembles interpersonal or face-to-face interaction between two people than do other types of mass appeal music. This close bond that exists between audience and performers, as well as the unique treatment of the song topics, helps to make the music, the performers, and the audience special. After the characteristics are reviewed, observations are made about the audience that accepts and approves these messages. The topics, and the approach to those topics by the songwriter and by the singers, tell us much about the audience that chose to listen to country music.”

If you are already a fan of country music, this book will provide insights into a process you’ve probably taken for granted. If you are a newcomer, you will better understand and appreciate the music that a “few folks are performing for a large number of people.”

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Subversive Affirmation
Critique of Critique Revisited
Sylvia Sasse
Diaphanes, 2025
An analysis of the concept of subversive affirmation, a radical alternative to saying “no” as a form of resistance.

Since the 1960s, theory, the arts, and political activism have increasingly rejected the notion of resistance through negation, raising such arguments as: Doesn’t a critique based on negation make itself dependent on the very system it wants to overcome? Does it not remain trapped in a thinking of oppositions? Although coming from radically different angles, the formulation of concepts like subversive affirmation, hyperaffirmation, overidentification, paradoxical intervention, revolution of the yes, and affirmative sabotage all reflect the emergence of an affirmative critique that overcomes this negation while also making us aware of the difference between conscious consent and conformity, capitulation, indifference, or pragmatism. In her new book, Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems. She examines the effectiveness of such criticism and its relevance at a time when various political actors have begun appropriating subversive affirmation and are no longer using it as a method of criticism.
 
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