front cover of Demosthenes'
Demosthenes' "On the Crown"
Rhetorical Perspectives
Edited by James J. Murphy
Southern Illinois University Press, 2016
Demosthenes’ speech On the Crown (330 B.C.E.), in which the master orator spectacularly defended his public career, has long been recognized as a masterpiece. The speech has been in continuous circulation from Demosthenes’ lifetime to the present day, and multiple generations have acclaimed it as the greatest speech ever written. In addition to a clear and accessible translation, Demosthenes’“On the Crown”:Rhetorical Perspectives includes eight essays that provide a thorough analysis—based on Aristotelian principles—of Demosthenes’ superb rhetoric.

The volume includes biographical and historical background on Demosthenes and his political situation; a structural analysis of On the Crown; and an abstract of Aeschines’ speech Against Ctesiphon to which Demosthenes was responding. Four essays by contributors analyze Demosthenes’ speech using key elements of rhetoric defined by Aristotle: ēthos, the speaker’s character or authority; pathos, or emotional appeals; logos, or logical appeals; and lexis, a speaker’s style. An introduction and an epilogue by Murphy frame the speech and the rhetorical analysis of it.

By bringing together contextual material about Demosthenes and his speech with a translation and astute rhetorical analyses, Demosthenes’“On the Crown”:Rhetorical Perspectives highlights the oratorical artistry of Demosthenes and provides scholars and students with fresh insights into a landmark speech.
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front cover of The Terministic Screen
The Terministic Screen
Rhetorical Perspectives on Film
Edited by David Blakesley
Southern Illinois University Press, 2003

The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill.

Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification.

Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.

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