Winner of the 2025 AEJMC-Knudson Latin America Prize

As a young journalist at the Brazil Herald from 1979-81, Stephen G. Bloom spent his early professional years working in Rio’s seedy Lapa district, surrounded by fugitives, drug runners, pornographers, and stealth CIA agents. Bloom shares the wild story of this English-language newspaper in The Brazil Chronicles. The expat newspaper was a breeding ground for a different kind of storyteller — audacious risk-takers who told madcap tales of Amazon plantations, Confederate emigres, and lost Indian tribes. Several renown journalists cut their teeth at the Brazil Herald, including acclaimed New York Times correspondent Tad Szulc, Huffington Post CEO Eric Hippeau, and an untamed Gonzo reporter by the name of Hunter S. Thompson. 

Drawing from extensive archival research and more than 150 interviews with his former colleagues, Bloom’s eye-opening narrative dive is both entertaining and academically rigorous. With a backdrop of coups, nonstop political instability, censorship, hyper-inflation, and weekends at sultry Ipanema Beach, The Brazil Chronicles doubles as a coming-of-age memoir, following young Bloom as he embarks on his quest to become a foreign correspondent, relocating to a foreign country to pursue under-the-radar stories and tall tales. His firsthand experience provides an insider, eye-witness account of the newspaper’s colorful history, transporting the reader to its sweltering newsroom and delving into the multifarious lives of its eclectic, trailblazing, polyglot staff. 

Even as Bloom weaves between personal narrative, history, and accounts from journalism luminaries, it’s clear who the book’s main character is: the one-of-a-kind newspaper itself. 

 

Rubem Fonseca's Crimes of August offers the first serious literary treatment of the cataclysmic events of August 1954, arguably the most turbulent month in Brazilian history. A rich novel, both culturally and historically, Crimes of August tells two stories simultaneously. The first is private, involving the well-delineated character of Alberto Mattos, a police officer. The other is public, focusing on events that begin with the attempted assassination of Carlos Lacerda, a demagogic journalist and political enemy of President Getúlio Vargas, and culminate in Vargas's suicide on August 24,1954. Throughout this suspenseful novel, deceptively couched as a thriller, Fonseca interweaves fact and fiction in a complex, provocative plot. At the same time, he re-creates the atmosphere of the 1950s, when Rio de Janeiro was Brazil's capital and the nexus of political intrigue and corruption. Mattos is assigned to solve the brutal murder of a wealthy entrepreneur in the aftermath of what appears to be a homosexual liaison. An educated and introspective man, and one of the few in his precinct not on the take from the bankers of the illegal lottery, Mattos suffers from alienation and a bleeding ulcer. His investigation puts him on a dangerous collision course with the conspiracy to depose Vargas, the novel's other narrative thread. The two overlap at several points, coming to their tragic end with the aged politician's suicide and Mattos's downfall.

The residents of Caxambu, a squatter neighborhood in Rio de Janeiro, live in a state of insecurity as they face urban violence. Living with Insecurity in a Brazilian Favela examines how inequality, racism, drug trafficking, police brutality, and gang activities affect the daily lives of the people of Caxambu.  Some Brazilians see these communities, known as favelas, as centers of drug trafficking that exist beyond the control of the state and threaten the rest of the city. For other Brazilians, favelas are symbols of economic inequality and racial exclusion. Ben Penglase’s ethnography goes beyond these perspectives to look at how the people of Caxambu themselves experience violence. 

"Robert Gay's study is well done. It provides a detailed look at two different forms of popular political organization in Brazil and how they relate to the state, local people, parties, and politicians.... Gay allows the reader to catch a glimpse of the enormous varieties of ways in which popular organizations relate politics to contemporary Brazil. There is no comparable book on Latin American politics." --Scott Mainwaring, Helen Kellogg Institute for International Studies, University of Notre Dame This urban tale of survival illustrates two versions of active, organized, aggressive participation in the political process. Vila Brasil survives by exchanging votes for favors. The president of its neighborhood association promises political candidates that the favela will vote in masse for the highest bidder. Vila Brasil has maneuvered this power to become one of the best served favelas in the region--for the moment, at least. Vidigal, on the other hand, steadfastly refuses to support candidates who campaign on boasts or promises alone. Vote-selling, or buying, is not permitted. To do well in Vidigal, a politician must talk not only about providing electricity and water in the favela, but also about wages, education, and health care over the longer term. In analyzing the favela's different responses to the popular movement that confronted the military in Rio de Janeiro in the late 1970s and early 1980s, the author makes a significant contribution to literature about relationships among urban poor, political elites, and the state.

Rio as Method provides a new set of lenses for apprehending and transforming the world at critical junctures. Challenging trends that position Global South scholars as research informants or objects, this Rio de Janeiro-based network of scholars, activists, attorneys, and political leaders center their Brazilian megacity as a globally relevant source for transformational world-making insights. Presenting this volume as a handbook and manifesto for energizing public engagement and direct action, more than forty contributors reconceive method as a politics of knowledge production that animates new ways of being, seeing, and doing politics. They draw on lessons from the city’s intersecting religious, feminist, queer, Black, Indigenous, and urbanist movements to examine issues ranging from state violence, urban marginalization, and moral panic to anticorruption efforts, paramilitary policing, sex work, and mutual aid. Rethinking theoretical and collaborative research methods, Rio as Method models theories of decolonial analysis and concepts of collective resistance that can be taken up by scholar-activists anywhere.

Contributors. Rosiane Rodrigues de Almeida, José Claudio Souza Alves, Tamires Maria Alves, Paul Amar, Marcelo Caetano Andreoli, Beatriz Bissio, Thaddeus Gregory Blanchette, Fernando Brancoli, Thayane Brêtas, Victoria Broadus, Fatima Cecchetto, Leonard Cortana, Marcos Coutinho, Monica Cunha, Luiz Henrique Eloy Amado, Marielle Franco, Cristiane Gomes Julião, Benjamin Lessing, Roberto Kant de Lima, Amanda De Lisio, Bryan McCann, Flávia Medeiros, Ana Paula Mendes de Miranda, Sean T. Mitchell, Rodrigo Monteiro, Vitória Moreira, Jacqueline de Oliveira Muniz, Laura Rebecca Murray, Cesar Pinheiro Teixeira, Osmundo Pinho, Paulo Pinto, María Victoria Pita, João Gabriel Rabello Sodré, Luciane Rocha, Marcos Alexandre dos Santos Albuquerque, Ana Paula da Silva, Denise Ferreira da Silva, Soraya Simões, Indianare Siqueira, Antonio Carlos de Souza Lima, Leonardo Vieira Silva

"It is a truth universally acknowledged . . ." that a single woman in possession of a good character but no fortune must be in want of a wealthy husband—that is, if she is the heroine of a nineteenth-century novel. Senhora, by contrast, turns the tables on this familiar plot. Its strong-willed, independent heroine Aurélia uses newly inherited wealth to "buy back" and exact revenge on the fiancé who had left her for a woman with a more enticing dowry.

This exciting Brazilian novel, originally published in 1875 and here translated into English for the first time, raises many questions about traditional gender relationships, the commercial nature of marriage, and the institution of the dowry. While conventional marital roles triumph in the end, the novel still offers realistic insights into the social and economic structure of Rio de Janeiro in the mid-1800s. With its unexpected plot, it also opens important new perspectives on the nineteenth-century Romantic novel.