Senghor: Writings on Politics brings Léopold Sédar Senghor’s most vital essays, speeches, and political writings to English-language readers for the first time. Spanning the colonial and postcolonial years between 1937 and 1971, this volume captures Senghor’s evolution from a pioneering poet and cofounder of Négritude to the president of Senegal as he grappled with the complexities of postcolonial identity, governance, and cultural hybridity. Senghor’s reflections on topics ranging from federalism and decolonization to Francophonie reveal his commitment to weaving African and European cultural threads into a vision of global solidarity in ways that resonate with contemporary debates on race, culture, and politics. Inviting readers to engage with a seminal figure whose legacy continues to inspire new ways of thinking about freedom, independence, and coexistence, this landmark book furthers our understanding of one of the twentieth century’s most influential cultural thinkers.

The official journal of the Mid-America Theatre Conference

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region encompassing Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin. The purposes of the conference are to unite people and organizations within the region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is cataloged in numerous periodical indexes and databases.

Along with sixteen book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains four sections with two introductions and nine essays total. In the general section, three essays consider performance histories and reevaluations of historiographical approaches. The special section on queer historiographies responds to calls for a more expansive and inclusive understanding of trans histories and for centralizing contemporary queer performers. In part III, the Robert A. Schanke Research Award-winning paper from the 2024 MATC conference by Ali-Reza Mirsajadi addresses erasures in the theatrical archive and highlights the long legacy of queer, Southwest Asian, and North African representation in dramatic texts. Taken together, volume 44 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field.