A brilliant and rich gathering of voices on the American experience of this past year and beyond, from Indigenous writers and writers of color from Minnesota
In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States. Essays and poems vividly reflect and comment on the traumas we endured in 2020, beginning with the arrival of the COVID-19 pandemic crisis, deepened by the blatant murder of George Floyd by Minneapolis police officers and the uprisings that immersed our city into the epicenter of passionate, worldwide demands for justice. In inspired and incisive writing these contributors speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, in essays about family, loss, food culture, economic security, and mental health. Their call and response is united here to rise and be heard.
We Are Meant to Rise lifts up the astonishing variety of BIPOC writers in Minnesota. From authors with international reputations to newly emerging voices, it features people from many cultures, including Indigenous Dakota and Anishinaabe, African American, Hmong, Somali, Afghani, Lebanese, Korean, Vietnamese, Japanese, Puerto Rican, Colombian, Mexican, transracial adoptees, mixed race, and LGBTQ+ perspectives. Most of the contributors have participated in More Than a Single Story, a popular and insightful conversation series in Minneapolis that features Indigenous and people of color speaking on what most concerns their communities.
We Are Meant to Rise meets the events of the day, the year, the centuries before, again and again, with powerful testament to the intrinsic and unique value of the human voice.
Contributors: Suleiman Adan, Mary Moore Easter, Louise Erdrich, Anika Fajardo, Safy-Hallan Farah, Said Farah, Sherrie Fernandez-Williams, Pamela R. Fletcher Bush, Shannon Gibney, Kathryn Haddad, Tish Jones, Ezekiel Joubert III, Douglas Kearney, Ed Bok Lee, Ricardo Levins Morales, Arleta Little, Resmaa Menakem, Tess Montgomery, Ahmad Qais Munhazim, Melissa Olson, Alexs Pate, Bao Phi, Mona Susan Power, Samantha Sencer-Mura, Said Shaiye, Erin Sharkey, Sun Yung Shin, Michael Torres, Diane Wilson, Kao Kalia Yang, and Kevin Yang.
Gordy's uncanny instinct for finding extraordinary talent--from performers and musicians to songwriters and producers—packed the label's roster with a who's who of historic artists and hitmakers. Here is the story of the Supremes and superstar Diana Ross, of the towering solo acts Marvin Gaye and Stevie Wonder, of vocal groups led by the Temptations and Four Tops, of the phenomenal Jackson Five and Michael Jackson, and of singer/songwriter and Motown executive Smokey Robinson. Up front about Gordy's manipulative and complex relationships with his artists, George reveals the inner workings of how Motown conducted its business. He also offers portraits of the Funk Brothers and other musicians who played the unforgettable songs.
George's preface shows how Motown influenced a later generation of young artists and music moguls, including R. Kelly, D'Angelo, Sean Combs, and Russell Simmons.
Few people today remember John Swainson. As a teenage soldier he lost both legs in a WWII landmine explosion. Back in the United States, following a meteoric political rise in the Michigan State Senate, Swainson was elected as Michigan's youngest governor since Stevens T. Mason.
In 1970 Swainson was elected to the Michigan Supreme Court, becoming one of the few public officials to have served in the legislative, executive, and judicial branches of state government. Then, in 1957, he was indicted on federal charges of bribery and perjury, and convicted of lying to a federal grand jury. Forced to leave the state Supreme Court and disbarred from practicing law, he became a pariah, sinking into depression and alcoholism. He virtually disappeared from public view.
Lawrence M. Glazer re-examines the FBI's investigation of Swainson and delves into his 1975 trial in detail. He reveals new information from eye-witnesses who never testified and, in a poignant coda, relates the little-known story of Swainson's rehabilitation and return to public life as a historian.
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