In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.

An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.

This is an auto-narrated audiobook edition of this book.

In 1922 Robert Allerton—described by the Chicago Tribune as the “richest bachelor in Chicago”—met a twenty-two-year-old University of Illinois architecture student named John Gregg, who was twenty-six years his junior. Virtually inseparable from then on, they began publicly referring to one another as father and son within a couple years of meeting. In 1960, after nearly four decades together, and with Robert Allerton nearing ninety, they embarked on a daringly nonconformist move: Allerton legally adopted the sixty-year-old Gregg as his son, the first such adoption of an adult in Illinois history.

An Open Secret tells the striking story of these two iconoclasts, locating them among their queer contemporaries and exploring why becoming father and son made a surprising kind of sense for a twentieth-century couple who had every monetary advantage but one glaring problem: they wanted to be together publicly in a society that did not tolerate their love. Deftly exploring the nature of their design, domestic, and philanthropic projects, Nicholas L. Syrett illuminates how viewing the Allertons as both a same-sex couple and an adopted family is crucial to understanding their relationship’s profound queerness. By digging deep into the lives of two men who operated largely as ciphers in their own time, he opens up provocative new lanes to consider the diversity of kinship ties in modern US history.

This book tells the fascinating story of Robert of Arbrissel (ca. 1045-1116). Robert was a parish priest, longtime student, reformer, hermit, wandering preacher, and, most famously, founder of the abbey of Fontevraud

Like Emily Dickinson and Walt Whitman, Robert Frost looms large in the American literary landscape, straddling the 19th and 20th centuries like a poetic colossus: whosoever desires passage must, at some point, contend with the monolithic presence of Robert Frost. As they did in Visiting Emily and Visiting Walt, in Visiting Frost, Sheila Coghill and Thom Tammaro once again capture the conversations between contemporary poets and a legend whose voice endures. In his introduction to the collection, Frost biographer Jay Parini likens the poet to a “great power station, one who stands off by himself in the big woods, continuously generating electricity that future poets can tap into for the price of a volume of his poems.” A four-time Pulitzer Prize winner whose work is principally associated with the landscape and life in New England, Frost (1874-1963) was a traditional, psychologically complex, often dark and intense poet. In Visiting Frost, one hundred homage-paying poets--some who knew Frost, most only acquainted through his work--celebrate and reflect that intensity, in effect tapping into his electrical current. By reacting to specific Frost poems, by reinventing others, and by remembering aspects of Frost or by quarreling with him, the contributors speak on behalf of us whose lives have been brightened by the memorization and recitation of such poems as “The Road Not Taken” or “Stopping by Woods on a Snowy Evening.” As the poets pay tribute to Frost's place in American poetry and history, they suggest--more than forty years after his death--just how alive and vital he remains in our collective memory.