British Diplomacy and Swedish Politics, 1758–1773 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This book has three objectives; to shed light on the central issue in British foreign policy during a period inadequately explored by historians; to present, for the first time in English, an account of the dramatic last decade of Swedish "liberty" and its final overthrow by Gustavus III; and finally, to direct the attention of historians to the career of Sir John Goodricke—a diplomat whom Lor Rochford called "the best man we have abroad; you can trust him with anything—except money."
These themes are in fact inextricably linked. For Great Britain, emerging from the Seven Years War victorious but isolated, needed to safeguard her trade with Russia and British statesmen felt that an Anglo-Russian alliance could best be achieved by first concluding a treaty with Sweden to which Russia would adhere. To achieve this aim, it was essential to break French influence in Stockholm, to oust the francophile Hats from power, and to install their anglophile rivals the Caps. Thus Swedish party politics, and the Swedish constitutions, unexpectedly became matters of great consequence in Whitehall. To win the necessary victory in Stockholm Britain needed a minister of peculiar talents and no little ability. Sir John Goodricke was such a minister. And the record of his exertions, and of his eventual failure, is necessary to any proper understanding of British policy in the postwar decade.
This book is an important contribution to both British and Scandinavian history and, since it also illuminates the subject of European political relations in the eighteenth century, it will be welcomed by diplomatic historians and specialists in eighteenth-century studies as well. Michael Roberts tells his story with customary verve and grace, and effectively refutes any idea that diplomatic history need be dull.
In The Humblest Sparrow, Michael Roberts illuminates the poetry of the sixth-century bishop and poet Venantius Fortunatus. Often regarded as an important transitional figure, Fortunatus wrote poetry that is seen to bridge the late classical and earlier medieval periods. Written in Latin, his poems combined the influences of classical Latin poets with a medieval tone, giving him a special place in literary history. Yet while interest has been growing in the early Merovingian period, and while the writing of Fortunatus' patron Gregory of Tours has been well studied, Fortunatus himself has often been neglected. This neglect is remedied by this in-depth study, which will appeal to scholars of late antique, early Christian, and medieval Latin poetry. Roberts divides Fortunatus' poetry into three main groups: poetry of praise, hagiographical poetry, and personal poetry. In addition to providing a general survey, Roberts discusses in detail many individual poems and proposes a number of theses on the nature, function, relation to social and linguistic context, and survival of Fortunatus' poetry, as well as the image of the poet created by his work.
The eleven books of poetry by Venantius Fortunatus include well-loved hymns, figure poems, epigrams on miracles, and elegies in the voices of abandoned or exiled women. The sixth-century poet began his career in northern Italy before moving to Gaul, where he wrote for the remainder of his life—praising kings and elites of the Merovingian dynasty and describing the natural scenery and society of his adopted homeland during the transition from late antiquity to the early Middle Ages. In his lively and inventive style, Fortunatus also addressed verses to religious figures such as his patron Gregory of Tours and to holy women such as Radegund, founder of the Convent of the Holy Cross in Poitiers, and Agnes, the convent’s first abbess.
Fortunatus’s imaginative metaphors and wry, self-mocking humor ensure his place in the canon of Christian Latin poets. This volume presents for the first time in English translation all of his poetry, apart from a single long saint’s life in verse.
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