front cover of Historians on Hamilton
Historians on Hamilton
How a Blockbuster Musical Is Restaging America's Past
Romano, Renee C
Rutgers University Press, 2018
America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?

Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim?

Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.
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front cover of Race Mixing
Race Mixing
Black–White Marriage in Postwar America
Renee C. Romano
Harvard University Press, 2003

Marriage between blacks and whites is a longstanding and deeply ingrained taboo in American culture. On the eve of World War II, mixed-race marriage was illegal in most states, politicians argued for segregated facilities in order to prevent race mixing, and interracial couples risked public hostility, legal action, even violence. Yet, sixty years later, black-white marriage is no longer illegal or a divisive political issue, and the number of such couples and their mixed-race children has risen dramatically. Renee Romano explains how and why such marriages have gained acceptance, and what this tells us about race relations in contemporary America.

Although significant numbers of both blacks and whites still oppose interracial marriage, larger historical forces have greatly diminished overt racism and shaped a new consciousness about mixed-race families. The social revolutions of the 1950s and '60s (with their emphasis on individualism and nonconformity), the legal sanctions of new civil rights laws, and a decline in the institutional stability of marriage have all contributed to the growing tolerance for interracial relationships. Telling the powerful stories of couples who married across the color line, Romano shows how cultural shifts are lived by individuals, and how they have enabled mixed couples to build supportive communities for themselves and their children.

However, Romano warns that the erosion of this taboo does not mean that racism no longer exists. The history of interracial marriage helps us understand the extent to which America has overcome its racist past, and how much further we must go to achieve meaningful racial equality.

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front cover of Racial Reckoning
Racial Reckoning
Prosecuting America’s Civil Rights Murders
Renee C. Romano
Harvard University Press, 2014

Few whites who violently resisted the civil rights struggle were charged with crimes in the 1950s and 1960s. But the tide of a long-deferred justice began to change in 1994, when a Mississippi jury convicted Byron De La Beckwith for the 1963 murder of Medgar Evers. Since then, more than one hundred murder cases have been reopened, resulting in more than a dozen trials. But how much did these public trials contribute to a public reckoning with America’s racist past? Racial Reckoning investigates that question, along with the political pressures and cultural forces that compelled the legal system to revisit these decades-old crimes.

“[A] timely and significant work…Romano brilliantly demystifies the false binary of villainous white men like Beckwith or Edgar Ray Killen who represent vestiges of a violent racial past with a more enlightened color-blind society…Considering the current partisan and racial divide over the prosecution of police shootings of unarmed black men, this book is a must-read for historians, legal analysts, and journalists interested in understanding the larger meanings of civil rights or racially explosive trials in America.”
—Chanelle Rose, American Historical Review

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