City of Salt, Gregory Orr’s sixth book of poems, is largely autobiographical and presents moments of intense emotion which are anchored in clearly dramatized events.  These are poems of elegy and celebration, and of occasions where the two modes fuse in acts of redemptive imagination.

 Pillar of Salt introduces the controversy over recollections of childhood sexual abuse as the window onto a much broader field of ideas concerning memory, storytelling, and the psychology of women. The book moves beyond the poles of “true” and “false” memories to show how women’s stories reveal layers of gendered and ambiguous meanings, spanning a wide historical, cultural, literary, and clinical landscape. The author offers the concept of transformative remembering as an alternative framework for looking back, one that makes use of fantasy in understanding the narrative truth of childhood recollections.Haaken provides an alternative reading of clinical material, showing how sexual storytelling transcends the symbolic and the “real” and how cultural repression of desire remains as problematic for women as the psychological legacy of trauma.

In this innovative study, Daniel A. Cohen explores a major cultural shift embodied in hundreds of early New England crime publications. Tracing the declining authority of Puritan ministers, he shows how the arbiters of an increasingly pluralistic literary marketplace gradually supplanted pious execution sermons with last-speech broadsides, gallows verses, criminal autobiographies, trial reports, newspaper stories, and romantic docudramas. Pillars of Salt, Monuments of Grace probes the forgotten origins of our modern mass media's preoccupation with crime and punishment.

Renée Ashley describes Salt as an attempt, in part, to mythologize a period of the 1950s and early 1960s in the California Bay Area suburb where she grew up, “a racially rich, economically varied section of town east of El Camino Real—the major road and the ‘tracks’, so to speak, that one grew up on the right or wrong side of.”  Many of the poems in the collection explore Ashley’s adjustment to the East Coast after a virtual lifetime in “that one place.”  They  deal with landscape, with marriage, with the insight distance seems to lend to hindsight, with amusement, with regret. 

“Renée Ashley can tune our ears to the thoughts of a wounded sparrow, to the sibilance of snow on stone, even to the song rocks make as they thaw in spring.  .  .  .  She wakes us to an intricate, enthralling world behind, beneath, beyond the one we thought we knew, alive with particulars, laced with compassion, luminous with humor.”—Donald Finkel

In republican Colombia, salt became an important source of revenue not just to individuals, but to the state, which levied taxes on it and in some cases controlled and profited from its production. The salt trade consistently accounted for roughly ten percent of government income.

In the town of la Salina de Chita, in Boyacá province, thermal springs offered vast amounts of salt, and its procurement and distribution was placed under the jurisdiction of the Ministry of Finance. Focusing his study on la Salina, Joshua M. Rosenthal presents a fascinating glimpse into the workings of the early Colombian state, its institutions, and their interactions with local citizens during this formative period. Although historians have cited the state’s weakness, and in many cases, its absence in local affairs, Rosenthal counters these assumptions by documenting the primary role the state held in administering contracts, inspections, land rights, labor, and trade in la Salina, and contends that this was not an isolated incident. He also uncovers the frequent interaction between the state and local residents, who used the state’s liberal rhetoric to gain personal economic advantage.

Seen through the lens of the administration of la Salina’s salt works, Rosenthal provides a firsthand account of the role of local institutions and fiscal management in the larger process of state building. His study offers new perspectives on the complex network of republican Colombia’s political culture, and its involvement in provincial life across the nation.

An exhaustive study of the role salt played in the drama of the War Between the States
 
It is only when a prime necessity thrusts itself upon public attention by its absence that a person ceases to take it for granted. Only when he no longer has it, does he realize what an important ingredient for his palate and digestion is plain, ordinary salt, necessary alike for man and beast. He then recalls that the salt licks and salt springs have from the earliest times been centers of interest and development.
 
The author has searched into the archives of most of the states of the old confederacy, and also into departments of knowledge remote from her own, so that she has had to delve into geological libraries, consult colleagues in the fields of chemistry and physiology, and do more sums in arithmetic than have fallen to her lot since she was in the primary school. But it has been a pleasant and profitable search.
 

Case studies examining the archaeological record of an overlooked mineral
 
Salt, once a highly prized trade commodity essential for human survival, is often overlooked in research because it is invisible in the archaeological record. Salt in Eastern North America and the Caribbean: History and Archaeology brings salt back into archaeology, showing that it was valued as a dietary additive, had curative powers, and was a substance of political power and religious significance for Native Americans. Major salines were embedded in collective memories and oral traditions for thousands of years as places where physical and spiritual needs could be met. Ethnohistoric documents for many Indian cultures describe the uses of and taboos and other beliefs about salt.
 
The volume is organized into two parts: Salt Histories and Salt in Society. Case studies from prehistory to post-Contact and from New York to Jamaica address what techniques were used to make salt, who was responsible for producing it, how it was used, the impact it had on settlement patterns and sociopolitical complexity, and how economies of salt changed after European contact. Noted salt archaeologist Heather McKillop provides commentary to conclude the volume.
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Salt in the Sand is a compelling historical ethnography of the interplay between memory and state violence in the formation of the Chilean nation-state. The historian and anthropologist Lessie Jo Frazier focuses on northern Chile, which figures prominently in the nation’s history as a site of military glory during the period of national conquest, of labor strikes and massacres in the late nineteenth century and early twentieth, and of state detention and violence during World War II and the Cold War. It was also the site of a mass-grave excavation that galvanized the national human rights movement in 1990, during Chile’s transition from dictatorship to democracy. Frazier analyzes the creation of official and alternative memories of specific instances of state violence in northern Chile from 1890 to the present, tracing how the form and content of those memories changed over time. In so doing, she shows how memory works to create political subjectivities mobilized for specific political projects within what she argues is the always-ongoing process of nation-state formation. Frazier’s broad historical perspective on political culture challenges the conventional periodization of modern Chilean history, particularly the idea that the 1973 military coup marked a radical break with the past.

Analyzing multiple memories of state violence, Frazier innovatively shapes social and cultural theory to interpret a range of sources, including local and national government archives, personal papers, popular literature and music, interviews, architectural and ceremonial commemorations, and her ethnographic observations of civic associations, women's and environmental groups, and human rights organizations. A masterful integration of extensive empirical research with sophisticated theoretical analysis, Salt in the Sand is a significant contribution to interdisciplinary scholarship on human rights, democratization, state formation, and national trauma and reconciliation.

Howe’s poems are Western but unmistakably modern, drawn from the astute observation of humanity of both rural and urban settings. Her weekly commute from the heart of Sanpete County to Utah Valley causes her to reflect on her culture and to contemplate recent events as she winds through the long, broad canyons. She sees an occasional deer chased from the road, pinyon jays, and magpies. She thinks about death, marriage, blood, and yes, even the dreamy (and occasionally steamy), country girl’s attraction to men.

In her verse, she journeys into the psyche of several women: Charles Dickens’s wife Catherine; Charlotte Brontë; an Argentine woman who unknowingly carried a fetus for several years; a woman whose pet snake tried to squeeze her to death. She recalls the rhododendrons of Kew Gardens, the house of Shakespeare’s grandmother, the sheep of Ireland, and the dogs of the Sierra Madres, but mostly she writes about the Mountain West and her home there.

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciative recollection of the work and legacy of the multi-talented African American writer, teacher, filmmaker, and activist.  Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon, Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara's fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972.  She continued to write -- and her audience and reputation continued to grow -- until her untimely death in 1995.  Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara.  The mix of poets and scholars, novelists and critics, political activists and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.