front cover of Drama, Poetry and Music in Late-Renaissance Italy
Drama, Poetry and Music in Late-Renaissance Italy
The Life and Works of Leonora Bernardi
Virginia Cox and Lisa Sampson
University College London, 2023
The first-ever study of Leonora Bernardi’s life along with a modern edition of her recently discovered literary corpus.

Leonora Bernardi (1559–1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist, and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first-ever study of Bernardi’s life along with a modern edition of her recently discovered literary corpus, which mostly exists in manuscripts. Her writings are presented in the original Italian with new English translations, scholarly notes, and critical essays. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colorful life. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy. The volume thus firmly positions Leonora Bernardi as a distinctive voice and dynamic player in the extraordinarily rich social, cultural, and geo-political networks of late-Renaissance Italy.  
 
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front cover of Flori, a Pastoral Drama
Flori, a Pastoral Drama
A Bilingual Edition
Maddalena Campiglia
University of Chicago Press, 2004
One of the first pastoral dramas published by an Italian woman, Flori is Maddalena Campiglia's most substantial surviving literary work and one of the earliest known examples of secular dramatic writing by a woman in Europe.

Although acclaimed in her day, Campiglia (1553-95) has not benefited from the recent wave of scholarship that has done much to enhance the visibility and reputation of contemporaries such as Isabella Andreini, Moderata Fonte, and Veronica Franco. As this bilingual, first-ever critical edition of Flori illustrates, this neglect is decidedly unwarranted. Flori is a work of great literary and cultural interest, noteworthy in particular for the intensity of its focus on the experiences and perceptions of its female protagonists and their ideals of female autonomy. Flori will be read by those involved in the study of early modern literature and drama, women's studies, and the study of gender and sexuality in this period.
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front cover of Innovation in the Italian Counter-Reformation
Innovation in the Italian Counter-Reformation
Shannon McHugh
University of Delaware Press, 2011
The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amedeo Quondam, two of the leading scholars on the Italian Counter-Reformation.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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front cover of Partenia, A Pastoral Play
Partenia, A Pastoral Play
A Bilingual Edition
Barbara Torelli Benedetti
Iter Press, 2013
The Other Voice’s edition of Barbara Torelli’s pastoral drama Partenia (c. 1586) is a groundbreaking contribution to the study of early modern Italian literature and women’s writing. This is the first ever print edition of the earliest secular play by an Italian woman, acclaimed at the time of its composition—the drama theorist Angelo Ingegneri placed it on a par with Tasso’s Aminta and Guarini’s Pastor fido—but long forgotten, to the extent that it was believed lost until the early twentieth century, when the first manuscript of it surfaced in Cremona.
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