front cover of The Geology, Ecology, and Human History of the San Luis Valley
The Geology, Ecology, and Human History of the San Luis Valley
Jared Maxwell Beeton
University Press of Colorado, 2020
The Geology, Ecology, and Human History of the San Luis Valley explores the rich landscapes and diverse social histories of the San Luis Valley, an impressive mountain valley spanning over 9,000 square miles that crosses the border of south-central Colorado and north-central New Mexico and includes many cultural traditions. Twenty-six expert scholars and educators—including geologists, geographers, biologists, ecologists, linguists, historians, sociologists, and consultants—uncover the natural and cultural history of the region, which serves as home to the Sangre de Cristo Mountains, the San Juan Mountains, Great Sand Dunes National Park and Preserve, and the Rio Grande headwaters.
 
The first section, “The Geology and Ecology of the San Luis Valley,” surveys the geomorphology, hydrology, animal and plant life, conservation, management, and mining of the valley’s varied terrain. The second section, “Human History of the San Luis Valley,” recounts the valley’s human visitation and settlement, from early indigenous life to Spanish exploration to Hispanic and Japanese settlements. This section introduces readers to the region’s wide range of religious identities—Catholic, Latter-day Saint, Buddhist, Jehovah’s Witness, Amish, and Mennonite—and diverse linguistic traditions, including Spanish, English, Dutch, Danish, Japanese, and Mayan. The final section, “Travel Itineraries,” addresses recreation, specifically fly-fishing and rock climbing.
 
The book provides a comprehensive overview of the endemic flora and fauna, human history of indigenous lifeways, and diverse settlement patterns that have shaped the region. The Geology, Ecology, and Human History of the San Luis Valley will appeal to students and scholars of geology, ecology, environmental history, and cultural history, as well as residents and tourists seeking to know more about this fascinating and integral part of Colorado and New Mexico.
 
Contributors:
Benjamin Armstrong, Timothy Armstrong, Deacon Aspinwall, Robert Benson, Lorrie Crawford, Kristy Duran, Jeff Elison, Eric Harmon, Devin Jenkins, Bradley G. Johnson, Robert M. Kirkham, Bessie Konishi, Angie Krall, Richard D. Loosbrock, Richard Madole, A. W. Magee, Victoria Martinez, James McCalpin, Mark Mitchell, R. Nathan Pipitone, Andrew Valdez, Rio de la Vista, Damián Vergara Wilson
 
 
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front cover of The San Luis Valley
The San Luis Valley
Sand Dunes and Sandhill Cranes
Text by Susan J. Tweit; Photographs by Glenn Oakley
University of Arizona Press, 2005
It is a high valley edged by serrated peaks, a remote expanse the size of Connecticut lying, as if forgotten, between two mountain ranges. Here, North America’s tallest sand dunes blow against glacier-gouged summits, the Rio Grande begins its long journey from snowflake to saltwater, and vast reaches of desert scrub hide verdant pocket wetlands. Colorado’s San Luis Valley is not a place for the timid. Sizzling hot in summer, frigid cold in winter, this huge landscape is humbling in its openness, a place defined by the rhythms of nature—and by the thrust and parry of male courting female in the ritual dance of sandhill cranes. These majestic birds arrive by the thousands twice a year to feed, rest, and socialize in the valley’s wetlands—invisible except from the air—and their cries temper the constant wind. Susan Tweit lives in the high desert of southern Colorado not far from the valley’s dunes and wetlands. With the precision of a scientist and the passion of a poet, she guides readers through this land of sand dunes and sandhill cranes, describing its natural features and tracing its human history from buffalo hunters and conquistadors to Hispanic farming communities and UFO observatories. And in stunning images, photographer Glenn Oakley brings his intimate feel for light and landscape to portraying not only the subtle beauty of this high-desert sanctuary but also the grandeur of the cranes in flight. As an intimate look at Great Sand Dunes National Park and Preserve and the San Luis Valley, this book reveals a desert place as seductive and sobering as existence itself.
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front cover of The San Luis Valley, Second Edition
The San Luis Valley, Second Edition
Land of the Six-Armed Cross
Virginia McConnell Simmons
University Press of Colorado, 1999
Human habitation in Colorado's San Luis Valley stretches back to distant times. Ancient peoples lived there thousands of years ago, as did the Utes, who claim the valley has been theirs forever. Others, both native peoples and Europeans, knew the valley-Don Juan de Oñate claimed the valley for King Phillip II of Spain in 1598. Consequently, the San Luis Valley has many stories, told in many voices.

In this sparkling new edition of The San Luis Valley: Land of the Six-Armed Cross, Virginia McConnell Simmons lays before the reader the stories and voices of this multicultural land. Ranging from prehistoric peoples and historic Indians to early Spanish settlers, trappers, American explorers, railroads, and Euro-American pioneers, this book is a comprehensive volume covering the geography and social history of Colorado's San Luis Valley.

New to the second edition is additional material on Hispanic culture (in particular a description of their fiber arts) and a lengthy appendix cataloging and describing all of the San Luis Valley's Hispanic place names. In addition, the notes and bibliography have been expanded, and the book contains a new introduction by David Fridtjof Halaas, Chief Historian of the Colorado Historical Society. Acclaimed as the standard history for the south-central region of Colorado, The San Luis Valley: Land of the Six-Armed Cross is a book for students, scholars, and others interested in the history of this fascinating and culturally rich corner of the state.

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front cover of Stitching Rites
Stitching Rites
Colcha Embroidery along the Northern Rio Grande
Suzanne P. MacAulay
University of Arizona Press, 2000

In the San Luis Valley of southern Colorado, there thrives a folk tradition with links to both the past and future.

Colcha embroidery is a traditional Spanish colonial style of textile, bed covering, or wall hanging dating from the early nineteenth century. In the first book to consider this craft, Suzanne MacAulay provides a detailed account of this folk art tradition that is both old and constantly renewing itself, presenting a sensitive portrayal of artists and the contexts in which they live and work.

Stitching Rites reveals how art, history, and memory interweave in a rich creative web. Based on archival research and on extensive interviews with artists, the book reveals the personal motivations of the embroiderers and their relationships with their work, with each other, with their community, and with outsiders. Through stitchers like Josephine Lobato and the San Luis Ladies Sewing Circle, MacAulay shows how colcha creation is bound up in a perpetual round of cultural commentary and self-reflection.

MacAulay includes detailed descriptions of changes in stitching techniques, themes, and styles to show the impact of a wide range of outside influences on the lives of the artists and on the art form. She also provides a discussion of New Mexican Carson colchas and their place in the collector market. By focusing on the individual creative act, she shows how colcha embroidery is used to record how a stitcher's memories of her life are intertwined with the history of her community.

Through this picture of a community of embroiderers, MacAulay helps us to understand their stitching rites and sheds new light on the relationship between Hispanic and Anglo cultures.

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