This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particularly of “aesthetic description”) to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. 
       Scruton examines and rejects various attempts made by recent philosophers to demarcate the realm of aesthetic judgment. He argues that the logic of aesthetic judgment does not suffice to distinguish what is “aesthetic” from what is not, for aesthetic judgments must be explained in terms of the conditions for their acceptance rather than the conditions for their truth. These “acceptance conditions” can be understood only if we first know what is meant by aesthetic experience. This theory attempts to show how aesthetic experience can be regarded as autonomous, even though it is intimately connected with ordinary experience, and is indeed dependent on ordinary experience for its full description.

This is a major contribution to political thought from conservatism’s greatest contemporary proponent. Originally published in Britain in 1980 and revised in 1984, this edition – the first ever in the United States – is a major rewriting of the work. Scruton’s idea of conservatism – what in America we tend to call “paleo-conservatism” – might well shock the sensibilities of those American conservatives” who view it as little more than the workings of the free market. Conservatism, says Scruton, is neither automatic hostility toward the state nor the desire to limit the state’s obligations toward the citizen.

Rather, conservatism regards the individual not as the premise but the conclusion of politics, a politics that is fundamentally opposed to the ethic of social justice, to equality of station, income, and achievement, or to the attempt to bring major institutions of society (such as schools and universities) under government control.

The conservative outlook, says Scruton, is neither outmoded nor irrational. On the contrary, it is the most reasonable of political alternatives. The evils of socialism, he maintains, lie precisely where its supporters find its strengths, and the conditions for the credibility of socialism have long since disappeared. Neither socialism nor liberalism can come to terms with the real complexity of human society, and both appear plausible only because they direct attention away from what is actual, toward what is merely ideal.

From earlier editions of The Meaning of Conservatism:

“The book provides exactly that swift kick on the intellectual bottom which every undergraduate student of political science needs, most of them more urgently than ever before.” – T. E. Utley, (London) Daily Telegraph

“If the text is full of surprises, the manner is no less striking than the matter. Scruton is a great stylist, and one is continually arrested by beautifully crafted phrases which beg for quotation. . . . [He] is a cultured and critical guide through the traditional landscape of conservatism; his book provokes thought and it is a pleasure to read.”
– Bram Gieben, Political Quarterly

“. . . remarkable work. . . . The highest praise which one can bestow on The Meaning of Conservatism is to say that it reminds one at every page of Thomas Hobbes, the greatest master of the English language ever to write a work of political theory.” – Jonathan Sumption, Sunday Telegraph

“. . . clearly too ghastly to be taken seriously.” – Andrew Belsey, Radical Philosophy

To say that On Hunting is a book on fox hunting is like saying that Moby-Dick is a whaling yarn. Modern people are as given to loving, fearing, fleeing, and pursuing other species as were their hunter-gatherer forebears. And in fox hunting, they join together with their most ancient friends among the animals, to pursue an ancient enemy. The feelings stirred by hunting are explored by Scruton, in a book that is both illuminating and deeply personal. Drawing on his own experiences of hunting and offering a delightful portrait of the people and animals who take part in it, Scruton introduces the reader to the mysteries of country life. His book is a plea for tolerance toward a sport in which the love of animals prevails over the pursuit of them, and in which Nature herself is the center of the drama. 
Among the most dramatic and ironic discoveries that On Hunting offers the typical American reader is that hunting is about a love and respect for animals, rather than a blood-thirsty hatred of them, and that the sport, far from being limited to an upper-class, old-monied aristocracy, is really one promoting an egalitarian meritocracy.