BiblioVault - Books about Site

Archaeology at the Site of the Museum of the American Revolution

A Tale of Two Taverns and the Growth of Philadelphia

Rebecca Yamin

Temple University Press, 2019

When the Museum of the American Revolution acquired the land at Third and Chestnut streets in Olde City, Philadelphia, it came with the condition that an archaeological investigation be conducted. The excavation that began in the summer of 2014 yielded treasures in the trash: unearthed privy pits provided remarkable finds from a mid-eighteenth-century tavern to relics from a button factory dating to the early twentieth century. These artifacts are described and analyzed by urban archaeologist Rebecca Yamin in Archaeology at the Site of the Museum of the American Revolution.

Yamin, lead archaeologist on the dig, catalogues items—including earthenware plates and jugs, wig curlers, clay pipes, and liquor bottles—to tell the stories of their owners and their roles in Philadelphia history. As she uncovers the history of the people as well as their houses, taverns, and buildings that were once on the site, she explains that by looking at these remains, we see the story of the growth of Philadelphia from its colonial beginnings to the Second World War.

Archaeology at the Site of the Museum of the American Revolution is a perfect keepsake for armchair archaeologists, introductory students, and history buffs.

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Bound to Appear

Art, Slavery, and the Site of Blackness in Multicultural America

Huey Copeland

University of Chicago Press, 2013

At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery.

Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure—both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the “peculiar institution.” The first book to examine in depth these artists’ engagements with slavery, Bound to Appear will leave an indelible mark on modern and contemporary art.

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Fieldworks

From Place to Site in Postwar Poetics

Lytle Shaw

University of Alabama Press, 2013

Fieldworks offers a historical account of the social, rhetorical, and material attempts to ground art and poetry in the physicality of a site.

Arguing that place-oriented inquiries allowed poets and artists to develop new, experimental models of historiography and ethnography, Lytle Shaw draws out the shifting terms of this practice from World War II to the present through a series of illuminating case studies. Beginning with the alternate national genealogies unearthed by William Carlos Williams in Paterson and Charles Olson in Gloucester, Shaw demonstrates how subsequent poets sought to ground such inquiries in concrete social formations—to in effect live the poetics of place: Gary Snyder in his back-to-the-land familial compound, Kitkitdizze; Amiri Baraka in a black nationalist community in Newark; Robert Creeley and the poets of Bolinas, California, in the capacious “now” of their poet-run town. Turning to the work of Robert Smithson—who called one of his essays an “appendix to Paterson,” and who in turn has exerted a major influence on poets since the 1970s—Shaw then traces the emergence of site-specific art in relation both to the poetics of place and to the larger linguistic turn in the humanities, considering poets including Clark Coolidge, Bernadette Mayer, and Lisa Robertson.

By putting the poetics of place into dialog with site-specificity in art, Shaw demonstrates how poets and artists became experimental explicators not just of concrete locations and their histories, but of the discourses used to interpret sites more broadly. It is this dual sense of fieldwork that organizes Shaw’s groundbreaking history of site-specific poetry.

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From Site to Sight

Anthropology, Photography, and the Power of Imagery

Melissa Banta and Curtis M. Hinsley

Harvard University Press, 1986

From Site to Sight

Anthropology, Photography, and the Power of Imagery, Thirtieth Anniversary Edition

Melissa Banta and Curtis M. HinsleyWith a New Introduction by Ira Jackins

Harvard University Press

In 1986 the Peabody Museum of Archaeology and Ethnology at Harvard mounted From Site to Sight, a groundbreaking traveling exhibition on the historic and contemporary uses of photography in anthropology. Using visual materials from the vast photographic archives of the Peabody Museum and the work of members of Harvard’s anthropology department, the accompanying catalog investigates how anthropologists have employed the camera as a recording and analytic tool and as an aesthetic medium. Photographs ranging from daguerreotypes to satellite images are presented in an examination of the possibilities and limitations of using the camera as a fact-gathering and interpretive tool. The authors also explore the broader implications of the uses—and misuses—of visual imagery within the human sciences.

From Site to Sight has been a foundational text for scholars and students in the developing field of visual anthropology, illustrating the role of photographic imagery in anthropology and archaeology from the disciplines’ formative years to the 1980s. Long out of print, this classic publication is now available in an enhanced thirtieth anniversary edition with a new introductory essay by Ira Jacknis.

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Modern Melbourne

City and Site of Nature and Culture

Rod Giblett

Intellect Books, 2020

Melbourne, founded in 1835 among marshes and beside a sluggish stream, grew from wetlands into a world-class modern city. Drawing on a wide range of historical, literary, and artistic sources, this book explores the cultural and environmental history of the city and its site. Tracing the city from its swampy beginnings in a squatter’s settlement nestled in the marshy delta of the Yarra and Maribyrnong Rivers, Rod Giblett illuminates Melbourne through its visible structures and the invisible history of its site.

It places Melbourne within an international context by comparing and contrasting it to other cities built on or beside wetlands, including London, New York, Paris, Los Angeles, and Toronto. Further, it is the first book to apply the work of European thinkers and writers on modernity and the modern city—such as Walter Benjamin and Peter Sloterdijk—to an analysis of Melbourne. Giblett considers the intertwining of nature and culture, people and place, and cities and wetlands in this bioregional and ecocultural analysis. Placing the city in its proper bioregional and international contexts, Modern Melbourne provides a rich historical analysis of the cultural capital of Australia.

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On Site, In Sound

Performance Geographies in América Latina

Kirstie A. Dorr

Duke University Press, 2018

In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.

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Site of Deportation, Site of Memory

The Amsterdam Hollandsche Schouwburg and the Holocaust

Edited by Frank van Vree, Hetty Berg, and David Duindam

Amsterdam University Press, 2017

The Hollandsche Schouwburg is a former theatre in Amsterdam where, during the Nazi occupation of the Netherlands, tens of thousands of Jews were assembled before being deported to transit and concentration camps. Before the war, the theatre had been an example of Jewish integration in the Netherlands, and after the war it became a memorial for the Jewish victims of Nazi persecution. This book is the first international publication to address all the historical aspects of the site, putting it in a broader European and historical context.

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