Byzantium and the Arabs in the Sixth Century is devoted to frontier studies and to the structures of the Arab federates of Byzantium. It deals mainly with the Ghassanids of Oriens in the sixth century, a time of transition from Late Antiquity to the Middle Ages. The focus of this study is on the military, religious, and civil structures of the Ghassanids. The detailed study of these buildings contributes to our understanding of Byzantine provincial art and architecture in Oriens, as they were adopted by the federate Arabs and later adapted to their own use. As monuments of Christian architecture, these federate structures constitute the missing link in the development of Arab architecture in the region—the link between the earlier pagan (Nabataean and Palmyrene) and later Muslim (Umayyad).

This fourth installment of Byzantium and the Arabs in the Sixth Century resumes the previous volume's discussion of the Ghassanids by examining their economic, social, and cultural history. First, Irfan Shahîd focuses on the economy of the Ghassanids and presents information on various trade routes and fairs. Second, the author reconstructs Ghassanid daily life by discussing topics as varied as music, food, medicine, the role of women, and horse racing. Shahîd concludes the volume with an examination of cultural life, including descriptions of urbanization, Arabic script, chivalry, and poetry. Throughout the volume, the author reveals the history of a fully developed and unique Christian-Arab culture. Shahîd exhaustively describes the society of the Ghassanids, and their contributions to the cultural environment that persisted in Oriens during the sixth century and continued into the period of the Umayyad caliphate.

This book presents the earliest South Indian inscriptions (ca. second century B.C.E. to sixth century A.D.), written in Tamil in local derivations of the Ashokan Brahmi script. They are the earliest known Dravidian documents available and show some overlap with the early Cera and Pandya dynasties. Their language is Archaic Tamil, with a few borrowings from Prakrit and influences of old Kannada, both resulting from the early presence of northern Jainism. The widespread occurrence of pottery inscriptions indicates that the Tamil-Brahmi script had taken deep roots all over the countryside, leading to the cultured society visible in the classical Tamil poetry of the Cankam (Sangam) texts of the early centuries C.E. The work includes texts, transliteration, translation, detailed commentary, inscriptional glossary, and indexes.