Anyone curious about what drew people like Christopher McCandless (the subject of Into the Wild) and John Muir to Alaska will find nuanced answers in Frontier Romance, Judith Kleinfeld’s thoughtful study of the iconic American love of the frontier and its cultural influence. Kleinfeld considers the subject through three catagories: rebellion, redemption, and rebirth; escape and healing; and utopian community. Within these categories she explores the power of narrative to shape lives through concrete, compelling examples—both heart-warming and horrifying. Ultimately, Kleinfeld argues that the frontier narrative enables Americans—born or immigrant—to live deliberately, to gather courage, and to take risks, face danger, and seize freedom rather than fear it. 

It used to be that raves were grass-roots organized, anti-establishment, unlicensed all-night drug-fueled dance parties held in abandoned warehouses or an open field. These days, you pay $40 for a branded party at popular riverfront nightclubs where age and status, rather than DJ expertise and dancing, shape your experience.

In Rave Culture sociologist Tammy Anderson explores the dance music, drug use and social deviance that are part of the pulsing dynamics of this collective. Her ethnographic study compares the Philadelphia rave scene with other rave scenes in London and Ibiza. She chronicles how generational change, commercialization, law enforcement, hedonism, and genre fragmentation fundamentally altered electronic dance music parties. Her analysis calls attention to issues of personal and collective identity in helping to explain such social change and what the decline of the rave scene means for the future of youth culture and electronic dance music.