front cover of Finding God in All the Black Places
Finding God in All the Black Places
Sacred Imaginings in Black Popular Culture
Beretta E. Smith-Shomade
Rutgers University Press, 2025
This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

 
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front cover of The Frontier Romance
The Frontier Romance
Environment, Culture, and Alaska Identity
Judith Kleinfeld
University of Alaska Press, 2012
Anyone curious about what drew people like Christopher McCandless (the subject of Into the Wild) and John Muir to Alaska will find nuanced answers in Frontier Romance, Judith Kleinfeld’s thoughtful study of the iconic American love of the frontier and its cultural influence. Kleinfeld considers the subject through three catagories: rebellion, redemption, and rebirth; escape and healing; and utopian community. Within these categories she explores the power of narrative to shape lives through concrete, compelling examples—both heart-warming and horrifying. Ultimately, Kleinfeld argues that the frontier narrative enables Americans—born or immigrant—to live deliberately, to gather courage, and to take risks, face danger, and seize freedom rather than fear it. 
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front cover of Rave Culture
Rave Culture
The Alteration and Decline of a Philadelphia Music Scene
Tammy L. Anderson
Temple University Press, 2009

It used to be that raves were grassroots organized, anti-establishment, unlicensed all-night drug-fueled dance parties held in abandoned warehouses or an open field. These days, you pay $40 for a branded party at popular riverfront nightclubs where age and status, rather than DJ expertise and dancing, shape your experience.

In Rave Culture, sociologist Tammy Anderson explores the dance music, drug use and social deviance that are part of the pulsing dynamics of this collective. Her ethnographic study compares the Philadelphia rave scene with other rave scenes in London and Ibiza. She chronicles how generational change, commercialization, law enforcement, hedonism, and genre fragmentation fundamentally altered electronic dance music parties. Her analysis calls attention to issues of personal and collective identity in helping to explain such social change and what the decline of the rave scene means for the future of youth culture and electronic dance music.

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