Over nearly three centuries, Jesuit, Franciscan, and Dominican missionaries built a network of churches throughout the “new world” of New Spain. Since the early twentieth century, scholars have studied the colonial architecture of southern New Spain, but they have largely ignored the architecture of the north. However, as this book clearly demonstrates, the colonial architecture of Northern New Spain—an area that encompasses most of the southwestern United States and much of northern Mexico—is strikingly beautiful and rich with meaning. After more than two decades of research, both in the field and in archives around the world, Gloria Fraser Giffords has authored the definitive book on this architecture.

Giffords has a remarkable eye for detail and for images both grand and diminutive. Because so many of the buildings she examines have been destroyed, she sleuthed through historical records in several countries, and she discovered that the architecture and material culture of northern New Spain reveal the influences of five continents. As she examines objects as large as churches or as small as ornamental ceramic tile she illuminates the sometimes subtle, sometimes striking influences of the religious, social, and artistic traditions of Europe (from the beginning of the Christian era through the nineteenth century), of the Muslim countries ringing the Mediterranean (from the seventh through the fifteenth centuries), and of Northern New Spain’s indigenous peoples (whose art influenced the designs of occupying Europeans).

Sanctuaries of Earth, Stone, and Light is a pathbreaking book, featuring 200 stunning photographs and over 300 illustrations ranging from ceremonial garments to detailed floor plans of the churches.

The demographic upheavals that altered the social landscape of the Southwest from the thirteenth through the seventeenth centuries forced peoples from diverse backgrounds to literally remake their worlds—transformations in community, identity, and power that are only beginning to be understood through innovations in decorated ceramics. In addition to aesthetic changes that included new color schemes, new painting techniques, alterations in design, and a greater emphasis on iconographic imagery, some of the wares reflect a new production efficiency resulting from more specialized household and community-based industries. Also, they were traded over longer distances and were used more often in public ceremonies than earlier ceramic types. Through the study of glaze-painted pottery, archaeologists are beginning to understand that pots had “social lives” in this changing world and that careful reconstruction of the social lives of pots can help us understand the social lives of Puebloan peoples. In this book, fifteen contributors apply a wide range of technological and stylistic analysis techniques to pottery of the Rio Grande and Western Pueblo areas to show what it reveals about inter- and intra-community dynamics, work groups, migration, trade, and ideology in the precontact and early postcontact Puebloan world. Through material evidence, the contributors reveal that technological and aesthetic innovations were deliberately manipulated and disseminated to actively construct “communities of practice” that cut across language and settlement groups. The Social Life of Pots offers a wealth of new data from this crucial period of prehistory and is an important baseline for future work in this area.

Spontaneous acts of violence born of human emotions like anger or greed are probably universal, but social violence—violence resulting from social relationships within and between groups of people—is a much more complex issue with implications beyond archaeology. Recent research has generated multiple interpretations about the forms, intensity, and underlying causes of social violence in the ancient Southwest. Deborah L. Nichols and Patricia L. Crown have gathered nine contributions from a variety of disciplines to examine social violence in the prehispanic American Southwest. Not only offering specific case studies but also delving into theoretical aspects, this volume looks at archaeological interpretations, multidisciplinary approaches, and the implications of archaeological research for Native peoples and how they are impacted by what archaeologists say about their past. Specific chapters address the impacts of raiding and warfare, the possible origins of ritual violence, the evidence for social violence manifested in human skeletal remains, the implications of witchcraft persecution, and an examination of the reasons behind apparent anthropophagy. There is little question that social violence occurred in the American Southwest. These contributions support the need for further discussion and investigation into its causes and the broader implications for archaeology and anthropology.

CONTENTS

1. Introduction
Patricia Crown and Deborah Nichols

2. Dismembering the Trope: Imagining Cannibalism in the Ancient Pueblo World
Randall H. McGuire and Ruth Van Dyke

3. An Outbreak of Violence and Raiding in the Central Mesa Verde Region in the 12th Century AD
Brian R. Billman

4. Chaco Horrificus?
Wendy Bustard

5. Inscribed in the Body, Written in Bones: The Consequences of Social Violence at La Plata
Debra L. Martin, Nancy Akins, Bradley Crenshaw, and Pamela K. Stone

6. Veneration or Violence: A Study of Variations in Patterns of Human Bone Modification at La Quemada
Ventura R. Pérez, Ben A. Nelson, and Debra L. Martin

7. Witches, Practice, and the Context of Pueblo Cannibalism
William H. Walker

8. Explanation vs. Sensation: The Discourse of Cannibalism at Awat’ovi
Peter Whiteley

9. Devouring Ourselves
George J. Armelagos

References Cited
About the Contributors
Index

In 1853, a survey team under Amiel W. Whipple set out for California from Fort Smith, Arkansas, in search of a transcontinental railroad route. In addition to studying the engineering obstacles for the railroad, the party collected natural history specimens in this unexplored and dangerous corner of America—and when the expedition entered New Mexico, it requested an additional military escort to guard against hostile Indians. An 1848 West Point graduate, Lt. John C. Tidball had only recently arrived at Fort Defiance in New Mexico, when he received his orders to join the surveying party. Although his official duties were strictly military, Tidball began sketching as soon as he joined the expedition, and his talents made him an indispensable member of Whipple’s artistic staff. This book offers a new look at the Whipple expedition through the lens of a newly discovered manuscript of Tidball’s memoirs—the only firsthand account of the 35th parallel survey to be discovered in nearly thirty years. Soldier-Artist of the Great Reconnaissance includes much of the material from this manuscript, giving us John Tidball’s pungent observations on the journey as well as striking examples of his artwork. Melding the observations of several diarists—which sometimes presented opposing viewpoints—author Eugene Tidball offers a new perspective on the Whipple expedition that focuses on the diverse personalities of the party and on the Native Americans they encountered along the way. The Pacific Railroad Surveys were among the most important explorations of North America ever undertaken. Eugene Tidball’s account of this journey tells how the artistic and literary contributions of John Tidball, his distant cousin, enrich our understanding of what the survey party saw and thought as they crossed the continent. Soldier-Artist of the Great Reconnaissance recaptures the Whipple expedition’s trials and triumphs as it documents the unusual talents of one of its most versatile members.

Lummis's prose portraits of the Grand Canyon, Petrified Forest, Montezuma Castle, and other sites reflect the author's knowledge of Southwest anthropology and history.

In this collection, which the poet calls his “rebirth in the search for home,” Ray Gonzalez expresses the gentle, humble intelligence that has made him a leading voice in Latino letters. He shares with the reader the voice of a soul searcher who has passed through middle age and still vibrates with passion for the world.

Gonzalez shows his profound respect for other people, species, places, elements, and histories. Illusions to religious imagery knock against those of the natural world—feathers and rocks—creating a complex tableau of objects and feelings. Employing the image-driven approach for which he is renowned, in this collection Gonzalez is taut, using poetics that are fully formed. Even as the poems weave together highly intellectual, refined subject matter, the language remains accessible. 

The book is divided into three parts. The first section offers Gonzalez’s most personal work yet, meditating on aging, forgetting, and the reader. The next section is more outward looking, as Gonzalez takes on great artists from both Old World and New World traditions. Finally, in the last section, Gonzalez opens himself up, reflecting in very personal ways on the everyday, such as a return from a hospital stay or a visit to the doctor.

Soul Over Lightning weaves together elements of Native American and Chicano/a narratives, inspired by the landscape of the desert Southwest and the experience of living on the border. It offers a new supernarrative that lifts spirits and yet remains grounded in a timeless search for home and truth.

With its scattered mountains and high rims, its dry air and summer lightning, its rising tier of biomes from desert grasses to alpine conifers, and its aggressive exurban sprawl, something in the Southwest is ready to burn each year and some high-value assets seem ever in their path. But the past 20 years have witnessed an uptake in savagery, as routine surface burns have mutated into megafires and overrun nearly a quarter of the region’s forests. What happened, and what does it mean for the rest of the country?

Through a mixture of journalism, history, and literary imagination, fire expert Stephen J. Pyne provides a lively survey of what makes this region distinctive, moving us beyond the usual conversations of science and policy. Pyne explores the Southwest’s sacred mountains, including the Jemez, Mogollon, Huachucas, and Kaibab; its sky islands, among them the Chiricahuas, Mount Graham, and Tanque Verde; and its famous rims and borders. Together, the essays provide a cross-section of how landscape fire looks in the early years of the 21st century, what is being done to manage it, and how fire connects with other themes of southwestern life and culture.

The Southwest is part of the multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover California, the Northern Rockies, the Great Plains, Florida, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s 50-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”

Is there a way to appreciate the desert without destroying it, a way to enjoy it without consuming it and to love it without killing it? Moreover, how can literature about the southwestern landscape affect ways in which it is either exploited or preserved? When and how did the desert change dramatically in the eyes of Anglo Americans from barren wilderness to national treasure?

By focusing on cultures that lived in the Southwest and by analyzing ways in which they described the land, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. However, the bulk of the study concentrates on Anglo American views of the Southwest, which have been generally at odds with the ecology of the deserts.

Ranging from oral traditions of the Navajo, Zuñi, and Hopi Indians to travel journals, fiction, and visual art, Teague examines the work of nearly thirty writers, artists, and explorers, including Alvar Núñez Cabeza de Vaca, Mary Austin, John Wesley Powell, and Frederic Remington. As he traces ideas about the desert over time, the author shows how American literature and art have come to represent the Southwest as a landscape to be sustained rather than transformed.

Bound to gain a prominent place in ecological criticism and in literature of the Southwest, this book offers important insights for scholars and students of literature, environmental studies, history, anthropology, and Native American studies. Its originality and vigor will also appeal to general readers with an interest in the landscape—and the future—of the American Southwest.

The southwestern deserts stretch from southeastern California to west Texas and then south to central Mexico. The landscape of this region is known as basin and range topography featuring to “sky islands” of forest rising from the desert lowlands which creates a uniquely diverse ecology. The region is further complicated by an international border, where governments have caused difficulties for many animal populations.

This book puts a spotlight on individual research projects which are specific examples of work being done in the area and when they are all brought together, to shed a general light of understanding the biological and cultural resources of this vast region so that those same resources can be managed as effectively and efficiently as possible. The intent is to show that collaborative efforts among federal, state agency, university, and private sector researchers working with land managers, provides better science and better management than when scientists and land managers work independently.

Pithouses are the earliest identifiable domestic architecture in many areas of the world, and can provide insights into the origins of communities--a fundamental component of past and present societies. In this book, Lisa Young and Sarah Herr invite archaeologists to explore the development of communities using information from pithouse sites in the American Southwest.

Using regional and topical syntheses to investigate the formation of pithouse communities, contributors to this volume examine the complex relationship between the economic transition to agricultural dependence and the social changes associated with sedentism. They discover that during this transformation, peoples' relationship with the landscape changed in ways that affected their use of space, community organization, and cultural identity.

Employing various theoretical perspectives, these contributions analyze changes in pithouses, site layout, communal architecture, and settlement patterns to investigate the development of place-based communities. Chapters look at community formation strategies in populous regions like the northern San Juan Basin, the southern Colorado Plateau, Mimbres/southern Mogollon, and Hohokam Basin and Range and compare them with social structures in more sparsely populated regions like the northeast Hohokam peripheries, the Arizona Transition Zone, the Cibola region, southeast New Mexico, and the northern Rio Grande. The book also includes thematic discussions of panregional economic change, the complex relationship between house and household, and the demographic shifts accompanying the Neolithic Demographic Transition.

An essential book for students and archaeologists interested in the origins of communities, Southwestern Pithouse Communities is also an important comparative resource for scholars interested in social change during the transition to settled village life.