Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today.
Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture.
Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.
A novel exploration of playing fields as aesthetic and architectural spaces that frame athletes’ creativity and spectators’ evolving experiences of sport.
The playing field is more than an arena for sporting rivalry. It is a laboratory of invention, where athletes and coaches create new uses for the human body in response to the constraints and affordances of space. Indeed, Richard Cleary argues that, from translucent squash courts to the NBA three-point line to the city streets used by skateboarders, all sports have embedded spatial relationships that are also charged with social significance.
The Architecture of the Playing Field explores the aesthetic and physical experiences of the grounds on which we compete. Cleary digs into the perspectives of spectators, athletes, coaches, and umpires—perspectives that have changed along with the shifting configuration and mediation of the field, from early live sports coverage to today’s TV broadcasts overlaid with high-tech graphics and observed from every angle. Cleary shows how rules governing the size, shape, and divisions of the field reflect sports’ entwinement with societies at large, in particular the politics of race and gender. Mindful as well that some sports resist containment, he analyzes the disruptive use of space by snowboarders and parkour athletes. The Architecture of the Playing Field sensitizes us to the interplay of settings and bodies in motion fundamental to the power of sport.
Interprets space and place in the medieval era.
Interprets space and place in the medieval era.
A glance at medieval maps tells us that cartographers of the Middle Ages divided space differently than we do today. In the great mappae mundi, for instance, Jerusalem takes center stage, with an image of the crucified Christ separating one place from another. The architects of medieval cathedrals manipulated space to clarify the roles and status of all who entered. Even in the most everyday context, space was allotted according to gender and class and was freighted with infinitely subtle meanings. The contributors to this volume cross disciplinary and theoretical boundaries to read the words, metaphors, images, signs, poetic illusions, and identities with which medieval men and women used space and place to add meaning to the world.Contributors: Kathleen Biddick, U of Notre Dame; Charles Burroughs, SUNY, Binghamton; Michael Camille, U of Chicago; Tom Conley, Harvard U; Donnalee Dox, U of Arizona; Jody Enders, U of California, Santa Barbara; Valerie K. J. Flint, U of Hull, UK; Andrzej Piotrowski, U of Minnesota; Daniel Lord Smail, Fordham U.Barbara A. Hanawalt is King George III Professor of British History at Ohio State University. Michal Kobialka is associate professor of theatre at University of Minnesota.A geographic study of race and gender, Spatializing Blackness casts light upon the ubiquitous--and ordinary--ways carceral power functions in places where African Americans live. Moving from the kitchenette to the prison cell, and mining forgotten facts from sources as diverse as maps and memoirs, Rashad Shabazz explores the myriad architectures of confinement, policing, surveillance, urban planning, and incarceration. In particular, he investigates how the ongoing carceral effort oriented and imbued black male bodies and gender performance from the Progressive Era to the present. The result is an essential interdisciplinary study that highlights the racialization of space, the role of containment in subordinating African Americans, the politics of mobility under conditions of alleged freedom, and the ways black men cope with--and resist--spacial containment.
A timely response to the massive upswing in carceral forms within society, Spatializing Blackness examines how these mechanisms came to exist, why society aimed them against African Americans, and the consequences for black communities and black masculinity both historically and today.
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