Encompassing a wide range of formal approaches and genres, Samuel Rafael Barber captures the disparate manifestations of power and powerlessness in this era of global neoliberalism. The stories in The Box in Which We Live investigate the existential torment inflicted upon marginalized people by individuals, institutions, and states complicit in oppression. Across these experiments, a comic absurdity emerges and a distance grows between the individual and the collective in a media-oversaturated world.

In this powerful debut collection, present-day women of the South Asian diaspora grapple with belonging and are haunted by intergenerational inheritances. Meghana Mysore, herself the daughter of Indian immigrants, spins her stories around narrators struggling to assimilate into the surreal world around them. At times, this disorientation skews speculative, where deceased mothers reappear as chiding, broken-down cars. At turns absurd and darkly humorous, the women in Mysore’s stories all experience transformation, be it small or monumental, where they find spaces of freedom and delight within their circumstances.

The Specter and the Speculative: Afterlives and Archives in the African Diaspora engages in a critical conversation about how historical subjects and historical texts within the African Diaspora are re-fashioned, re-animated, and re-articulated, as well as parodied, nostalgized, and defamiliarized, to establish an “afterlife” for African Atlantic identities and narratives. These essays focus on transnational, transdisciplinary, and transhistorical sites of memory and haunting—textual, visual, and embodied performances—in order to examine how these “living” archives circulate and imagine anew the meanings of prior narratives liberated from their original context. Individual essays examine how historical and literary performances—in addition to film, drama, music, dance, and material culture—thus revitalized, transcend and speak across temporal and spatial boundaries not only to reinstate traditional meanings, but also to motivate fresh commentary and critique. Emergent and established scholars representing diverse disciplines and fields of interest specifically engage under explored themes related to afterlives, archives, and haunting.

Questioning the roles of women’s bodies and the emotions that drive them in Madden’s debut story collection
 
Following women and girls as they navigate everyday life in contemporary America, You Know Nothing explores the experiences of mothers, daughters, sisters, wives, and lovers whose inner worlds are animated by a tangle of emotion—from desire to rage and everything in between. Yasmina Din Madden’s characters inhabit the margins of their cultures, their diverse backgrounds united by their profound unease and the female bodies in which each resides. Madden takes us into the lives of a ravenous mother who devours her own son, a woman who sands away parts of her body, a Vietnamese mother facing her too-American children, and a fiercely protective dog owner who wanders a dog park with Satan’s master. In this debut collection, Madden brings these characters to life in bite-size stories of surreal revelation and inquisitive long-form explorations alike, leaving newfound clarity and hypnotizing carnage in her wake.