BiblioVault - Books about Splendor

Apparition of Splendor

Marianne Moore Performing Democracy through Celebrity, 1952–1970

Elizabeth Gregory

University of Delaware Press, 2021

While the later work of the great Modernist poet Marianne Moore was hugely popular during her final two decades, since her death critics have condemned it as trivial. This book challenges that assessment: with fresh readings of many of the late poems and of the iconic, cross-dressing public persona Moore developed to deliver them, Apparition of Splendor demonstrates that Moore used her late-life celebrity in daring and innovative ways to activate egalitarian principles that had long animated her poetry. Dressed as George Washington in cape and tricorn and writing about accessible topics like sports, TV shows, holidays, love, activism, mortality and celebrity itself, she reached a wide cross-section of Americans, encouraging them to consider what democracy means in their daily lives, particularly around issues of gender, sexuality, racial integration, class, age, and immigration. Moore actively sought out publication in popular venues (like Vogue, The New Yorker, and the Saturday Evening Post, etc.) and wrote on material chosen to directly appeal to the audiences there, influencing younger contemporaries, including poets like Ashbery, O’Hara, and Bishop, and artists like Warhol, Yoko Ono, and Ray Johnson.

"Apparition of Splendor is brilliant and necessary. It provides an extended look at Marianne Moore’s late poetry that no other book-length study has taken on…. Gregory’s deep expertise is evident throughout. Her discussions make visible startling networks of connections between poems, and – while maintaining keen focus on the late poems – briskly but sensitively draw upon the earlier poems to clarify continuities and suggest transformations. Her archival and extra-literary research, in Moore’s papers and in regard to general cultural contexts, is wonderfully on display with every page.
The subject of Moore’s late poetry is woefully understudied, and this book will conduct an important intervention in critical tendencies to dismiss this body of work. Apparition of Splendor is a major contribution to Moore studies and to studies of 20th-century American poetry.”

- Linda Kinnahan, Duquesne University, author of Feminist Modernism, Poetics, and the New Economy: Mina Loy, Lola Ridge, and Marianne Moore

Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

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An Apprehension of Splendor

A Biography in Photographs of F. Scott Fitzgerald and His Family

Shawn Sudia-Skehan

University of Alabama Press

A unique collection of Fitzgerald family photographs, many never before published, hand selected by a curator of the Scott and Zelda Fitzgerald Museum

Enter the Jazz Age glamour of F. Scott and Zelda Fitzgerald and their daughter, Scottie. An Apprehension of Splendor is a rich pictorial biography that illuminates the lives of this brilliant literary family in 344 rare photographs, 180 of which have never been published.

The Fitzgeralds are chiefly known from a small number of iconic, posed images, but the dashing couple and their daughter amassed hundreds of candid snapshots now housed in archives and university library collections throughout North America. These rare photos reveal the full, vivid lives behind the icons—a Buffalo boy cradling a velvety puppy, a jaunty southern gamine in the shade of a loblolly pine laughing at a secret, the stoic gloom of an enlistee in a scratchy woolen uniform, a plot taking shape in the mind of a fledgling writer with bed-tousled hair, an amorous young couple struggling to light a cigarette in the chiaroscuro of a Riviera beach, an unhappy baby tugged through the snow in a laundry basket lashed to a sled, and a myriad of other images that will rekindle fascination with the Fitzgeralds and their time.

With unparalleled access to the family’s personal papers and photographs, Shawn Sudia-Skehan, former director of acquisitions at the Scott and Zelda Fitzgerald Museum, handpicked and annotated this collection of images that brings readers closer to the Fitzgeralds than any other work. Readers of Tender Is the Night, The Beautiful and Damned, and many other works by F. Scott and Zelda will recognize some of the places and experiences that inspired their unforgettable fictions.

A captivating portrait of Jazz Age celebrity, young passion, and artistic ambition, An Apprehension of Splendor returns the perfume to the luminous flower of the Fitzgeralds.

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Dear Terror, Dear Splendor

Melissa Crowe

University of Wisconsin Press, 2019

These poems trace the speaker’s emotional biography from a wild and impoverished rural childhood through tender and terrifying adulthood. Rooted in the heart and the messy organs of our mortality, Melissa Crowe’s work is epistolary in tone but gritty in texture. She reckons with the pure pain and buoyant beauty of survival, loss, parenthood, and letting go. These deeply personal poems embrace the hurt that accompanies intimacy and insist that we love fiercely.

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Splendor in the Short Grass

The Grover Lewis Reader

By Grover Lewis

University of Texas Press, 2005

Honorable Mention, Carr P. Collins Award for Best Book of Nonfiction, 2006

Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture.

To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.

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The Splendor of the Church in Mary

Henri de Lubac, Vatican II, and Marian Ressourcement

Theresa Marie Chau Nguyen

Catholic University of America Press, 2023

Henri de Lubac, SJ, (1896-1991) is one of the most renowned theologians of the twentieth century. Numerous studies have been undertaken to examine his many contributions to theology, but little attention has been paid to the specific topic of the relationship of the Blessed Virgin Mary and the Church in his writings. This was a topic that gave rise to contentious discussion at the Second Vatican Council, and although the Council fathers approved the integration of Marian doctrine into the Dogmatic Constitution on the Church, this synthesis of Mariology and ecclesiology has been largely neglected in theology today. The Splendor of the Church in Mary retrieves de Lubac’s Marian ecclesiology and revives an understanding and appreciation of its enduring influence at the Vatican Council and beyond. The first part examines de Lubac’s pre-conciliar works which evince a steady biblical and patristic ressourcement of Marian themes. It also explores his writings on Teilhard de Chardin’s Eternal Feminine, Christian mysticism, and Amida Buddhism and discovers in them the essential building blocks of his Marian thought. The second part turns to the Second Vatican Council and post-conciliar developments. Rereading the debates and texts of Lumen Gentium through a Marian lens brings to light the extent of de Lubac’s influence: Méditation sur l’Eglise (1953), his principal work on Mary and the Church, anticipated the structure and content of Lumen Gentium a decade before the Council. De Lubac’s writings provided a theological compass for the Council fathers, and they continue to provide direction and orientation for ecclesiological discourse today. The Splendor of the Church in Mary culminates in a constructive analysis of one of the most pressing pastoral and ecclesiological questions of our times: the question of the relationship of the universal and particular churches. Directly engaging the crucial debate between then-Cardinal Ratzinger and Cardinal Kasper, it proposes that de Lubac’s Mariology effectively offers a new perspective and a refreshing path forward. Attentive to the mystical identification of Mary and the Church, de Lubac’s ressourcement has the potential to re-enchant and advance contemporary theology in new and significant ways.

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The Utility of Splendor

Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600-1800

Samuel John Klingensmith

University of Chicago Press, 1993

The grand palaces and princely villas of the Bavarian Wittelsbach dynasty—Nymphenburg, Schleissheim, the vast Residenzschloss in Munich, and others—impress visitors with their great halls and intimate cabinets, dramatic stairhalls and seemingly endless rows of sumptuously decorated rooms. But these dazzling residences did not exist solely to delight the eye. In The Utility of Splendor, Samuel John Klingensmith discusses how, over the years, successive rulers reshaped the internal spaces of their residences to reflect changes in the elaborate ceremony that regulated daily life at court.

Drawing on a broad range of sources, including building documents, correspondence, diaries, and court regulations, Klingensmith investigates the intricacies of Bavarian court practice and shows that Versailles was only one among several influences on German palace planning. Klingensmith offers a cogent, detailed understanding of the relations between architectural spaces and the ceremonial, social, and private life that both required and used them. Handsomely illustrated with photographs and plans, The Utility of Splendor will appeal to anyone interested in how life was lived among the nobility during the last centuries of the old regime.

Samuel John Klingensmith (1949-1986) was assistant professor of art history at Tulane University.

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Violence and Splendor

Alphonso Lingis

Northwestern University Press, 2011

In subject and method, Alphonso Lingis’s work has always defied easy categorization, largely owing to the interplay of theory and praxis inherent in his research. Violence and Splendor is a series of reflections grouped into five areas of inquiry: “Spaces Within Spaces,” “Snares for the Eyes,” “The Sacred,” “Violence,” and “Splendor.” “Spaces Within Spaces” explores multiple spaces of our lives—the space of nomads, historical space, geological space, the cosmic space of religious ritual, and the metaphysical habitats of inmates of insane asylums. “Snares for the Eyes” analyzes the inner space of our bodies and the inner spaces of things.

“The Sacred” studies the ways death—the death of others and our own death—fascinates and energizes us. It exhibits the glory in violence and sacrilege. The book culminates in “Splendor,” a study of collective performances that create splendor. Concerning itself most immediately with philosophy, psychology, aesthetics, anthropology, and the theory of religion, Violence and Splendor bridges the discourses of continental philosophy and cross-cultural studies. Further drawing insights from both Western and non-Western traditions, it brings such diverse fields as psychology, art and aesthetics, botany, politics, history, zoology, and religious theory into a new and significant dialogue about the nature of humanity.

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