A vivid tour of US military efforts to understand, survive, and command harsh environments worldwide—and beyond.
 
Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country’s status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon.
 
Sand, Snow, and Stardust explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America’s planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Gretchen Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth.
 
An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely.

An unflinching look at the realities of racism, poverty, and exclusion in contemporary France—told through the eyes of a young Cameroonian mother navigating life on society’s edge.

At just twenty-three, Louise finds herself stranded in a Paris shelter with her baby, Bliss, in her arms while battling homelessness, racism, and the struggles that come with being a female immigrant trying to keep her dignity alive. Yet amid the chaos, Louise encounters a fragile network of mothers and survivors from the Maghreb and sub-Saharan Africa, each carrying their own story of violence, addiction, and resilience.

Based on a pivotal moment in author Léonora Miano’s own life, Stardust is a luminous story of the quiet power of choosing life. The novel was first composed over twenty years ago and remained unpublished for years. Now, Miano invites readers into her world, shedding light on the invisible corners of French society and offering a moving meditation on motherhood, dignity, and renewal. 

An exploration of the fundamental bond between cinema and the cosmos
 

The advent of cinema occurred alongside pivotal developments in astronomy and astrophysics, including Albert Einstein’s theories of relativity, all of which dramatically altered our conception of time and provided new means of envisioning the limits of our world. Tracing the many aesthetic, philosophical, and technological parallels between these fields, Stardust explores how cinema has routinely looked toward the cosmos to reflect our collective anxiety about a universe without us.

 

Employing a “cosmocinematic gaze,” Hannah Goodwin uses the metaphorical frameworks from astronomy to posit new understandings of cinematic time and underscore the role of light in generating archives for an uncertain future. Surveying a broad range of works, including silent-era educational films, avant-garde experimental works, and contemporary blockbusters, she carves out a distinctive area of film analysis that extends its reach far beyond mainstream science fiction to explore films that reckon with a future in which humans are absent.

 

This expansive study details the shared affinities between cinema and the stars in order to demonstrate how filmmakers have used cosmic imagery and themes to respond to the twentieth century’s moments of existential dread, from World War I to the atomic age to our current moment of environmental collapse. As our outlook on the future continues to change, Stardust illuminates the promise of cinema to bear witness to humanity’s fragile existence within the vast expanse of the universe.