In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture.
    Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.

It’s the late 1940s in Skopje, Yugoslavia, in the critical year leading to Tito’s break with Stalin. Pushed to leave mountain villages to become the new proletariat in urban factories, a flood of peasants crowds into Skopje—and with them, all of their goats. Suffering from hunger, Skopje’s citizens welcome the newcomers. But municipal leaders are faced with a dilemma when the central government issues an order calling for the slaughter of the country’s goat population. With food so scarce, will they hide the outlawed animals? Or will they comply with the edict and endure the bite of hunger?
    The Time of the Goats is the second novel in Luan Starova’s acclaimed multivolume Balkan saga. It follows the main characters from My Father’s Books and the tragicomic events of their lives in Skopje as the narrator’s intellectual father and the head goatherd become friends. As local officials clumsily carry out absurd policies, Starova conveys the bonds of understanding and mutual support that form in Skopje’s poorest neighborhoods. At once historical and allegorical, folkloric and fantastic, The Time of the Goats draws lyrically on Starova’s own childhood.