In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979.

"Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain's silver age."—Robert Towers, Newsweek

"Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."—Jean G. Zorn, New York Times Book Review

"A graceful comic coda to the earlier song of India. . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott."—Paul Gray, Time

"Staying On provides a sort of postscript to [Scott's] deservedly acclaimed The Raj Quartet. . . . He has, as it were, summoned up the Raj's ghost in Staying On. . . . It is the story of the living death, in retirement, and the final end of a walk-on character from the quartet. . . . Scott has completed the task of covering in the form of a fictional narrative the events leading up to India's partition and the achievement of independence in 1947. It is, on any showing, a creditable achievement."—Malcolm Muggeridge, New York Times Book Review

In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.

Where the Wind Dreams of Staying is a personal memoir told through interwoven essays. In the tradition of environmental literature, Dieterle details his experiences in southeastern Washington, Utah, Nevada, Iowa, California, and Airzona. His restless search for purpose, identity, and place moves through cycles of success and failure, love and loss. He captures the emotional storms of a boy, and then a man, on a restless search for meaning in a place, or for a place with meaning.
 
Dieterle’s journey leads from the plateau of eastern Washington through the landscapes of seven states, ending in the shadow of the San Francisco peaks in northern Arizona. Readers will find rich, detailed explorations of western landscapes balanced with stories of personal reflection, determination, doubt, and fulfillment.