front cover of Collections Management as Critical Museum Practice
Collections Management as Critical Museum Practice
Edited by Cara Krmpotich and Alice Stevenson
University College London, 2024
A reframing of collections management in museums worldwide.

Collections Management as Critical Museum Practice redefines collections management as a political, critical, and social project, contradicting its misperception as a set of fixed procedures and universal practices. Highlighting national museums and community-led heritage work worldwide, this book explores the complexities of numbering, digitization, and description alongside the realities of climate change, global pandemics, and natural disasters. The contributors draw on their local experiences to emphasize the varying practices, ethics, and workplace pragmatics defining this work.
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front cover of Contemporary Art and the Display of Ancient Egypt
Contemporary Art and the Display of Ancient Egypt
Alice Stevenson
University College London, 2025
Beyond the illusion of dialogue—how contemporary art in Egyptian galleries is curated and controlled.

Contemporary art installations in Egyptian galleries are often framed as dialogues between past and present—but what if they are, instead, shaped by the museum itself? Contemporary Art and the Display of Ancient Egypt argues that both contemporary and ancient works are mediated through the structures and ideologies of the museum space. In this seminal work, Alice Stevenson examines how artists’ work influences museum discourse and public engagement with ancient artifacts.

Drawing on case studies from the British Museum, the Egyptian Museum in Turin, and the State Museum of Egyptian Art in Munich, this book assesses the motivations behind these interventions and their lasting impact. Through an evidence-based approach, Stevenson offers new insights into how curators, scholars, and artists can collaborate to create more meaningful and politically engaged museum experiences. Of particular interest to Egyptologists, museum professionals, and contemporary art scholars, this work redefines the role of artistic intervention in shaping our understanding of ancient cultures.
 
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front cover of Scattered Finds
Scattered Finds
Archaeology, Egyptology and Museums
Alice Stevenson
University College London, 2018
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt’s first rulers at Abydos, Akhenaten, and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. This book explores the politics, personalities, and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the United Kingdom to the development of some of the United States’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, this book presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. It also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today and argues for a stronger ethical commitment to its stewardship.
 
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