front cover of Going Underground
Going Underground
Race, Space, and the Subterranean in the Nineteenth-Century United States
Lara Langer Cohen
Duke University Press, 2023
First popularized by newspaper coverage of the Underground Railroad in the 1840s, the underground serves as a metaphor for subversive activity that remains central to our political vocabulary. In Going Underground, Lara Langer Cohen excavates the long history of this now familiar idea while seeking out versions of the underground that were left behind along the way. Outlining how the underground’s figurative sense first took shape through the associations of literal subterranean spaces with racialized Blackness, she examines a vibrant world of nineteenth-century US subterranean literature that includes Black radical manifestos, anarchist periodicals, sensationalist exposés of the urban underworld, manuals for sex magic, and the initiation rites of secret societies. Cohen finds that the undergrounds in this literature offer sites of political possibility that exceed the familiar framework of resistance, suggesting that nineteenth-century undergrounds can inspire new modes of world-making and world-breaking for a time when this world feels increasingly untenable.
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front cover of Subterranean
Subterranean
Richard Greenfield
Omnidawn, 2018
The elegies that comprise Richard Greenfield’s third book of poems, Subterranean, open the rhetoric of the form in new ways, creating a site of grieving that transcends a focus on the death of the father. Though lyrical, these elegies juxtapose the collapse of hyper-economies against the collapse of ecosystems, exploring the overlap, or edge effect, of liminal encounters between the living and the dead, between the city and the wilderness, between the human and the animal, and between the haves and the have nots. Greenfield creates a sequence of associative, anxious, rambling, and digressive meditations bridging these harrowing divides and exposing the loneliness of grief and empty promise of connection in the age of late capitalism. Greenfield asks, “Do you want to call someone?” The human voice, transmitted through the cell phone, becomes a spectral voice and streams “up from the basin to the peak and its antenna and striates and sieves through solid structures to arrive in the spiral of the ear of anyone.
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