An invitation to voyage east leads Ihab Hassan to reflect on his origins in Egypt, on his home in America, and on his host country, Japan. Part memoir, part cultural perception, Between the Eagle and the Sun records a journey, echoing the "wanderers of eternity." The result is not a book about "them," some alien people living on a distant island, but rather a book about the author himself, living among others, living and seeing himself sometimes as another, assaying always to read the hieroglyphs of his past in the scripts of Japan.
 

Lucid as it is intensely felt, at once lyrical and critical, the work offers a beguiling vision of Japan and, by tacit contrast, of America. For writing, the author says, is more than praise or blame, it is also knowledge, empathy, and delight. These attributes are evident in Hassan's treatment of Japanese culture, its people and scenes. Indeed, the people, rendered in vibrant portraits throughout the book, abide when all the shadows of romance and exasperation have fled.
 

To all caring and compassionate environmentalists out there, Fields of Sun and Grass, the latest offering by gifted naturalist, writer, and artist John R. Quinn, is a glorious cry of victory via a remarkable portrayal of some of the most durable and stubbornly determined survivors in the faunal and floral kindgdom.

The setting is the New Jersey Meadowlands, a wild and reedy tract located a mere six miles west of New York's Times Square. It is considered by many as nothing more than a "toxic wasteland," but is in fact home to a dazzling array of often overlooked plants and animals. While there is little doubt that many of the life forms that once thrived here are long gone, many others remain, and these are the primary focus of this book. Many, many species are discussed; far too many to list here. Suffice it to say Quinn leaves no stones unturned.

The book has three central parts, respectively called "Yesterday," "Today," and "Tomorrow." Each covers a different time period in the ecological life of the Meadowlands. There also is an "Introduction," a "Starting Point," an "Epilogue," a bibliography, an index, and an interesting sort of "hands-on" chapter called "Exploring the Meadowlands." This will be of particular interest to anyone who lives within traveling distance of the region. It gives helpful and experienced advice on enjoyed the Meadowlands firsthand through boating, fishing, hiking, and the visiting of local parks.

Dr. Chris Walsh’s scholarship has resulted in a new study on one of America’s leading authors. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy offers close textual analysis of all of McCarthy’s Southern works along with an overview of the notable critical responses to them. The book is designed for use by scholars, teachers, and students at all levels.

McCarthy’s works set in the desert Southwest have received substantial critical and commercial acclaim. However, his Appalachian texts—which include two short stories written as an undergraduate at the University of Tennessee, five novels (including the Pulitzer Prize winner The Road), a play, and a screenplay—rival the Southwestern works in terms of their aesthetic achievement and complexity. In the Wake of the Sun introduces readers, scholars, and students to the pertinent themes in each text while also walking them through the most significant critical dialogues surrounding the texts.

What if Earth had several moons or massive rings like Saturn?  What if the Sun were but one star in a double-star or triple-star system?  What if Earth were the only planet circling the Sun? 

These and other imaginative scenarios are the subject of Arthur Upgren's inventive book Many Skies: Alternative Histories of the Sun, Moon, Planets, and Stars. Although the night sky as we know it seems eternal and inevitable, Upgren reminds us that, just as easily, it could have been very different.

Had the solar sytem happened to be in the midst of a star cluster, we might have many more bright stars in the sky.  Yet had it been located beyond the edge of the Milky Way galaxy, we might have no stars at all.  If Venus or Mars had a moon as large as ours, we would be able to view it easily with the unaided eye.  Given these or other alternative skies, what might Ptolemy or Copernicus have concluded about the center of the solar sytem and the Sun?

This book not only examines the changes in science that these alternative solar, stellar, and galactic arrangements would have brought, it also explores the different theologies, astrologies, and methods of tracking time that would have developed to reflect them. Our perception of our surroundings, the number of gods we worship, the symbols we use in art and literature, even the way we form nations and empires are all closely tied to our particular (and accidental) placement in the universe.

Many Skies, however, is not merely a fanciful play on what might have been.  Upgren also explores the actual ways that human interferences such as light pollution are changing the night sky.  Our atmosphere, he warns, will appear very different if we have belt of debris circling the globe and blotting out the stars, as will happen if advertisers one day pollute space with brilliant satellites displaying their products.

From fanciful to foreboding, the scenarios in Many Skies will both delight and inspire reflection, reminding us that ours is but one of many worldviews based on our experience of a universe that is as much a product of accident as it is of intention.

Winner, 2011 Pulitzer Prize for Drama
Winner, 2012 Tony Award for Best Play
Winner, 1974 National Book Award for Philosophy and Religion

In 1959, Lorraine Hansberry’s A Raisin in the Sun energized the conversation about how Americans live together across lines of race and difference. In Reimagining “A Raisin in the Sun,” Rebecca Ann Rugg and Harvey Young bring together four contemporary plays—including 2011 Pulitzer Prize for Drama winner Clybourne Park—that, in their engagement with Hansberry’s play, illuminate the tensions and anxieties that still surround neighborhood integration.

Although the plays—Robert O’Hara’s Etiquette of Vigilance, Gloria Bond Clunie’s Living Green, Branden Jacobs-Jenkins’s Neighbors, and Bruce Norris’s Clybourne Park—are distinct from one another in terms of style and perspective on their predecessor, they commonly feature characters who are forced to closely examine, and sometimes revise or abandon, their ideas concerning race and their notions of social and economic justice. Above all, the plays use the lenses of neighborliness, privacy, and community to engage the large question of America’s common purpose. Each play is accompanied by an interview with the playwright about the influence of Hansberry’s landmark work. The afterword includes an interview with George C. Wolfe, whose play The Colored Museum laid the groundwork for the titles in this collection.

The conversation around A Raisin in the Sun has continued unabated since its premiere fifty years ago. Rugg and Young’s book will serve as a valuable resource to fans, scholars, and students alike.

The heart of professional baseball, if not its roots, may be found in the American Midwest, especially in Missouri. In Seasons in the Sun, Roger D. Launius offers an excellent overview of the teams, pennant races, trials, and triumphs of the different major-league teams that have resided in the state over the years.

Wade Davis has been called "a rare combination of scientist, scholar, poet and passionate defender of all of life's diversity." In Shadows in the Sun, he brings all of those gifts to bear on a fascinating examination of indigenous cultures and the interactions between human societies and the natural world.

Ranging from the British Columbian wilderness to the jungles of the Amazon and the polar ice of the Arctic Circle, Shadows in the Sun is a testament to a world where spirits still stalk the land and seize the human heart. Its essays and stories, though distilled from travels in widely separated parts of the world, are fundamentally about landscape and character, the wisdom of lives drawn directly from the land, the hunger of those who seek to rediscover such understanding, and the consequences of failure.

As Davis explains, "To know that other, vastly different cultures exist is to remember that our world does not exist in some absolute sense but rather is just one model of reality. The Penan in the forests of Borneo, the Vodoun acolytes in Haiti, the jaguar Shaman of Venezuela, teach us that there are other options, other possibilities, other ways of thinking and interacting with the earth." Shadows in the Sun considers those possibilities, and explores their implications for our world.

An interdisciplinary approach to solar physics, as eighty-nine contributors trace the evolution of the Sun and provide a review of our current understanding of both its structure and its role in the origin and evolution of the solar system.

If scientists can’t touch the Sun, how do they know what it’s made of? And if we can’t see black holes, how can we be confident they exist? Gravitational physicist David Garfinkle and his brother, science fiction writer Richard Garfinkle, tackle these questions and more in Three Steps to the Universe, a tour through some of the most complex phenomena in the cosmos and an accessible exploration of how scientists acquire knowledge about the universe through observation, indirect detection, and theory.

 
The authors begin by inviting readers to step away from the Earth and reconsider our Sun. What we can directly observe of this star is limited to its surface, but with the advent of telescopes and spectroscopy, scientists know more than ever about its physical characteristics, origins, and projected lifetime. From the Sun, the authors journey further out into space to explore black holes. The Garfinkle brothers explain that our understanding of these astronomical oddities began in theory, and growing mathematical and physical evidence has unexpectedly supported it. From black holes, the authors lead us further into the unknown, to the dark matter and energy that pervade our universe, where science teeters on the edge of theory and discovery. Returning from the depths of space, the final section of the book brings the reader back down to Earth for a final look at the practice of science, ending with a practical guide to discerning real science from pseudoscience among the cacophony of print and online scientific sources. 

Three Steps to the Universe will reward anyone interested in learning more about the universe around us and shows how scientists uncover its mysteries.

 

Perhaps you know them for their deer dances or for their rich Easter ceremonies, or perhaps only from the writings of anthropologists or of Carlos Castaneda. But now you can come to know the Yaqui Indians in a whole new way. Anita Endrezze, born in California of a Yaqui father and a European mother, has written a multilayered work that interweaves personal, mythical, and historical views of the Yaqui people.

Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as Andrés Pérez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture.

Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.