A SCHOLARLY BOOK REPOSITORY6 start with R start with R
Charles H. Faulkner began archaeological investigations at the Ramsey House in 1985 and concluded his work with his retirement from the University of Tennessee's anthropology department in 2005. During his tenure with the Ramsey House Archaeological Project, Faulkner and his team of scholars and students unearthed the prehistory of Native American occupation at Swan Pond, several outbuilding and early home foundation features yielding evidence of extensive early renovations to the Ramsey House and surrounding Swan Pond, and a multitude of ceramics and other artifacts left behind by the Ramsey family and other tenants ranging in dates from the late 1700s to the 1950s. Faulkner's research presented in The Ramseys at Swan Pond reveals not only the material culture and family lifeways of early wealth in East Tennessee, but chronicles the occupation of a homestead that would become pivotal to the development of early Knoxville and Knox County and offers insights into the responsibilities Ramsey and his family undertook in order to tame an early American frontier.
Faulkner provides the reader a complete overview of the excavations, and emphasizes the importance of historic research within the discipline of archaeology in his introduction. The Ramseys at Swan Pond will be of interest to anyone studying historic archeology, the early American frontier, and Tennessee history.
Charles H. Faulkner is Professor Emeritus in the Department of Anthropology and Distinguished Professor of Humanities at the University of Tennessee. He is the author/editor of The Prehistoric Native American Art of Mud Glyph Cave, The Old Stone Fort: Exploring an Archaeological Mystery, Rock Art of the Eastern Woodlands, and numerous other essays.
Each year nearly a quarter million visitors come to Reelfoot Lake, also known as “The Earthquake Lake,” to enjoy its natural splendor. With its twenty-five thousand acres of shimmering water, haunting cypress swamps, and two-hundred-year-old lily marshes, the lake is rich in natural beauty and natural history. Yet, despite being one of the most unique lakes in the country—this natural body of water formed during the New Madrid earthquakes in the early nineteenth century—it is relatively understudied. Biologist and environmentalist Jim W. Johnson grew up on the lake and experienced its natural and cultural history firsthand. As a wildlife biologist, he spent much of his career managing Reelfoot and its surrounding area. Reelfoot Lake: Oasis on the Mississippi is part personal remembrance, part guidebook, and part cautionary tale on river and wetland ecology, conservation, and land management, written by an author intimately knowledgeable about the lake and life on it. By exploring Reelfoot’s ancient and recent history, Johnson illuminates the lives of generations of people who lived and thrived in the floodplain. For those looking to navigate the waters of the lake, this book will make travel through the bayous and canals much easier and more pleasurable. And its discussions about the lake’s ecology will bolster voices calling for the protection and preservation of Reelfoot and other wetlands like it.
Accompanied by stunning photography, Johnson’s book is sure to become a useful outdoor guide to Reelfoot Lake and will increase readers’ appreciation for wetlands.
This catalog documents a 2022 exhibition of original editorial illustrations commissioned by the University of Tennessee Libraries to complement the Chimney Tops 2 Wildfires Oral History Project. The four illustrators showcased here have strong ties to East Tennessee. Paige Braddock, author of the Eisner-nominated comic strip Jane’s World and Chief Creative Officer at Charles M. Schulz Creative Associates, is an ’85 UT alumna; Charlie Daniel, beloved Knoxville News Sentinel editorial illustrator, has been a Knoxville resident since 1958; Marshall Ramsey, syndicated editorial illustrator and Pulitzer nominee, is a ’91 UT alumnus; and professional illustrator Danny Wilson has been a visible part of Knoxville’s graphic landscape since graduating from UT in 1984. The artists were given access to the project’s digital archive of oral interviews—to date, 139 have been recorded—and were asked to respond creatively to what they heard and read.
The result is Rising from the Ashes, a candid and deeply felt collection of illustrations encapsulating accounts of the merciless firestorm that enveloped Sevier County in November 2016. The flexible medium of the editorial illustration shows itself capable of extended narrative, disquieting detail, and poignant synthesis, as well as moments of beauty, hope, horror, and even humor as it ushers viewers into the recollections of wrestling and sorrow that animate the project’s still expanding archive. Bales writes, “Ultimately, the multiple fires destroyed or damaged 2,500 homes and buildings, killed 14 trapped people, injured another 200 or more, and burned over 17,000 acres of mostly woodlands that were a powder keg of dried leaves, all in a matter of three hours.” Years later, the ramifications of this event are still being felt in the community and region. Rising from the Ashes is a tribute to a people who suffered, lost, banded together, and rebuilt; and no less important, it is an expression of solidarity, recognizing how much remains to be done.
One of the most gifted of America’s writers, James Rufus Agee (1909–1955), spent a third of his short life in Tennessee, yet no biographical treatment until this one has so fully explored his roots in the state. In Rufus, Paul F. Brown draws deeply on a trove of journals, letters, interviews, and contemporaneous newspaper accounts, to produce a captivating portrait of Agee’s boyhood.
Brown meticulously delineates Agee’s family history, his earliest years as a sensitive child growing up in Knoxville’s Fort Sanders neighborhood, and the traumatic event that marked his sixth year: his father’s death in an automobile accident. Young Rufus—as his family always called him—revered his father and would use his memories of the tragedy to create his most enduring work of fiction, the Pulitzer Prize–winning A Death in the Family. Just a few years after his father was killed, Agee’s mother placed him in the St. Andrew’s School for Mountain Boys near Sewanee, Tennessee, where he would meet his mentor and lifelong friend, Father James Flye; these experiences would inspire Agee’s poignant novella, The Morning Watch. Another year in Knoxville followed, and then his mother, newly remarried, whisked him away to New England, where he would complete his education at Phillips Exeter Academy and Harvard.
Brown’s account deftly reconstructs various settings the young Agee encountered—including not only turn-of-the-century Knoxville and St. Andrew’s but also the mountain hamlet of LaFollette, his father’s hometown—and the complex family relationships that swirled around the young writer-to-be. Brown also explores Knoxville’s belated discovery of its famous son, initiated when Hollywood came to town in 1962 to film All the Way Home, an adaptation of A Death in the Family. Notable commemorations—including academic seminars, a public park, and a street named in Agee’s honor—would come later as the writer’s posthumous reputation bloomed. And now, with Rufus, we have the definitive account of how it all began.
Hughes and many other "old boys" carried these values into their post-school lives in Victorian England. Thomas Hughes became an advocate for Britain's first labor unions and workingmen's colleges. He went on to serve in Parliament, and eventually planted his Christian Socialist ideals in the backwoods of Tennessee, where he established the utopian community named Rugby after his beloved alma mater.
In Rugby, Tennessee, Hughes describes the then-new community and his motivations in founding it. As Benita J. Howell points out in her lucid and informative new introduction, the book represents an important moment in late-Victorian English thought.
Hughes recounts the plight of England's "Will Wimbles," the underemployed second sons of the gentry, to whom he hoped to give a fresh start in Tennessee. Hughes also offers readers a vivid description of Tennessee's northern Cumberland Plateau, including natural landmarks that can still be seen. And his impressions of "Life in Tennessee," "The Natives," and "The Negro Natives" reveal much about the Upland South on the eve of industrialization. Written in part to convince British investors that their project in America was making great progress, Rugby, Tennessee, depicts a unique Utopian moment in this remote area of Appalachian Tennessee-a moment whose legacy is justly celebrated to this day.
Benita J. Howell is Professor of Anthropology Emerita at the University of
Tennessee. She is the author of Folklife along the Big South Fork of the
Cumberland River and is editor of Culture, Environment, and Conservation in the Appalachian South.
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