Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium.

In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.

An exploration of the political thriller genre and its context in Latin American politics and entertainment.

For the past five decades, a distinctive type of political thriller has been steadily developing in Latin America. Precarious Secrets is a panoramic overview of the genre in the hands of renowned writers and filmmakers from Argentina, Mexico, Chile, and Brazil, as well as lesser-known Peruvian, Uruguayan and Paraguayan artists for whom the style has been a vehicle for pungent narratives shot through with menace and conspiracy.

Fabricio Tocco explores the genre’s unique role in Latin American entertainment and activism. Precarious Secrets traces the evolutions of the Latin American political thriller from its emergence in the 1970s, through the silence imposed by dictatorships and the genre’s resurgence after the Cold War. The political thriller has dramatized the region’s turbulent past, through assassinations, coups, mass killings, revolutions and the search of desaparecidos by human rights organizations. In the process, Tocco isolates the Latin American political thriller’s particular grammar of secrecy. In the Hollywood thriller, revealing secrets involves high stakes and transformative consequences. In Latin American political thrillers, by contrast, secrets produce only more precarity—moral ambiguity as unsettling as it is unshakeable.