front cover of The Mansions
The Mansions
Daniel Tobin
Four Way Books
From award-winning poet Daniel Tobin comes The Mansions, an epic trilogy of book-length poems which examines exemplary 20th-Century figures Georges Lemaître, Simone Weil, and Teilhard de Chardin, all at the crossroads of science, history, and religion. Capacious in their philosophical explorations, immaculate in their form, stirring in their alchemy of faith and empiricism, each complete section works both autonomously and as part of the whole, building a house that contains many mansions, simulating the dynamic enormity of creation itself — always already entire and yet unfinished, borderless, infinite. Immersed in a time when cataclysmic geopolitical events coincided with revolutionary scientific progress, The Mansions charts a Dantean journey as it confronts the exigencies and contingencies which define modernity: history, religion, our planet’s fate, and the purpose of humankind. A fractal symphony of voices, Tobin’s tripartite collection represents a staggering literary achievement — a lyric narrative that can hold the totality of the divine and of godlessness, that harmonizes time as change and as eternity, that sees “pendant grapes” as “embodied wine.” Its music is the harvest “cutting free the perfectly nurtured bruise-colored fruit, hour / by hour,” and its wisdom embraces the transience of all things as well as the transfiguration of the self, that everlasting impermanence: “‘I see the landscape as it is when I’m not there.’”
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front cover of The Narrows
The Narrows
Daniel Tobin
Four Way Books, 2005
Coming of age in Brooklyn's Bay Ridge, these poems explore what it is to be an Irish American Catholic; a dutiful son of hard drinking, sometimes hilarious and sometimes tragic parents; a son of Brooklyn; and, too, deeply rooted to the country of his ancestors, Ireland. Dark, funny, and sometimes troubling, these poems, always accessible, track a life well lived and felt.
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front cover of Poet's Work, Poet's Play
Poet's Work, Poet's Play
Essays on the Practice and the Art
Edited by Daniel Tobin and Pimone Triplett
University of Michigan Press, 2008

A follow-up to the highly praised Poets Teaching Poets, Daniel Tobin and Pimone Triplett's Poet's Work, Poet's Play gathers together essays by some of the most important voices in contemporary poetry: Carl Dennis, Stephen Dobyns, Tony Hoagland, Heather McHugh, Ellen Bryant Voigt, Eleanor Wilner, Dean Young, and the late Larry Levis and Agha Shahid Ali.

Lively, accessible, and erudite, the pieces range from discussions on syntax and the syllable to an exploration of the complexities of canon formation under the shadow of imperialism, race, and history. Exploring the work of John Donne, William Butler Yeats, Robert Frost, Philip Larkin, Charles Olsen, Ezra Pound, Anne Carson, Robert Herrick, Harryette Mullen, and many others, Poet's Work, Poet's Play---like its predecessor volume---will be an invaluable tool for teachers, students, and poets at every level.

"Much more than a set of essays on poetic craft or aesthetic understandings, this collection takes on two of the most prevalent anxieties about writing poetry in our time: the place of subjectivity in poetry, and how to make a significant shape in language while both affirming and interrogating the poetic I's authority. This is a book for anyone who wants to write better poems, who wants to read with greater passion, and who believes that poetry is an independent category of human consciousness that can be as capaciousness as the world, and as nuanced."
---Tom Sleigh, author of Space Walk and Far Side of the Earth

"Gathering together essays by unquestionably important poets, Poet's Work, Poet's Play has immense pedagogical value in the way it demonstrates how to discover in poetry resources of language and structure often overlooked in first, and ensuing, readings of complex texts."
---Laurence Goldstein, Professor of English, University of Michigan, and Editor, Michigan Quarterly Review

"A valuable document illuminating critical aspects of the contemporary American poetry scene."
---John Koethe, Distinguished Professor of Philosophy at the University of Wisconsin, Milwaukee, and author of Sally's Hair: Poems

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