Published more than forty years ago, The Desert Smells Like Rain remains a classic work about nature, how to respect it, and what transplants can learn from the longtime residents of the Sonoran Desert, the Tohono O’odham people.

In this work, Gary Paul Nabhan brings O’odham voices to the page at every turn. He writes elegantly of how they husband scant water supplies, grow crops, and utilize edible wild foods. Woven through his account are coyote tales, O’odham children’s impressions of the desert, and observations of the political problems that come with living on both sides of an international border. Nabhan conveys the everyday life and extraordinary perseverance of these desert people.

This edition includes a new preface written by the author, in which he reflects on his gratitude for the O’odham people who shared their knowledge with him. He writes about his own heritage and connections to the desert, climate change, and the border. He shares his awe and gratitude for O’odham writers and storytellers who have been generous enough to share stories with those of us from other cultural traditions so that we may also respect and appreciate the smell of the desert after a rain.

Longtime residents of the Sonoran Desert, the Tohono O'odham people have spent centuries living off the land—a land that most modern citizens of southern Arizona consider totally inhospitable. Ethnobotanist Gary Nabhan has lived with the Tohono O'odham, long known as the Papagos, observing the delicate balance between these people and their environment. Bringing O'odham voices to the page at every turn, he writes elegantly of how they husband scant water supplies, grow crops, and utilize wild edible foods. Woven through his account are coyote tales, O'odham children's impressions of the desert, and observations on the political problems that come with living on both sides of an international border. Whether visiting a sacred cave in the Baboquivari Mountains or attending a saguaro wine-drinking ceremony, Nabhan conveys the everyday life and extraordinary perseverance of these desert people in a book that has become a contemporary classic of environmental literature.

The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature.

Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.

“This text reveals [Fontana’s] interaction with his [Tohono O’odham] neighbors and how geography and climate define life and culture in this piece of dry land. Fontana’s words introduce the reader to people and provide an excellent overview of tribal history, but no notice of this book can overlook John P. Schaefer’s photographs . . . [which] give the reader a feeling for what day-to-day life is like . . . for the 12,000 or so people who call Papaguería their homeland.”—Journal of Arizona History

When William John McGee set out from Washington, D.C., for the Sonoran Desert in 1894, he was inspired by a passion for adventure as much as a thirst for knowledge. McGee lived in an era when discovery was made through travel rather than study, and reputations were forged by going where no outsiders had gone before.

A self-taught scientist in the newly forming field of anthropology, McGee led two expeditions through southern Arizona and northern Sonora for the Bureau of American Ethnology. There he conducted ethnographic research among the Papagos (Tohono O'odham) and the Seris, and his subsequent publication The Seri Indians helped secure his place in the anthropological community.

McGee's complete journals of the expeditions, kept in small field notebooks and preserved in the Library of Congress, are published here for the first time. These journals contain detailed descriptions of the country and people McGee encountered and convey the adventure of traveling through wild and unfamiliar places—including a voyage to Isla Tiburón, or Shark Island, in the Gulf of California—and being plagued by foul weather, a shortage of supplies, and fear of attack from hostile Indians.

Trails to Tiburón features 57 historical photographs taken on the expedition, capturing the places McGee saw and the people he encountered. Fontana's notes to the diary provide useful botanical, geological, and ethnographic information, while his introduction places McGee and his field work in the context of late-nineteenth-century anthropology and science.

Trails to Tiburón reveals McGee's versatility as a field worker and shows his methods, often questioned today, to be the reasonable response of a man caught up in the intellectual fervor of his time. For anyone wanting to share in the spirit of adventure, these journals are a landmark in the annals of exploration.