“I can work best now while peeling potatoes. . . . It is for me what lens-grinding was for Spinoza.”—L. Wittgenstein
More than 250 years separate the publication of Baruch Spinoza’s Ethics and Ludwig Wittgenstein’s Tractatus Logico-Philosophicus. Both are considered monumental philosophical treatises, produced during markedly different times in human history, and notoriously challenging to interpret. In Peeling Potatoes or Grinding Lenses, Aristides Baltas contends that these works bear a striking similarity based on the idea of “radical immanence.” Each purports to understand the world, thought, and language from the inside and in a way leading to the dissolution of all philosophy. In that guise, both offer a powerful argument against fundamentalism of all sorts and kinds.
To Spinoza, God is just Nature. God is not above or separate from the world, humanity, or mere objects for, as Nature, He inheres in everything. To Wittgenstein, logic is not above or separate from language, thought, and the world. The hardness of the logical “must” inheres in states of affairs, facts, thoughts, and linguistic acts. Outside there are no truths or sense—only nonsense.
Through close readings of the texts based on lessons drawn from radical paradigm change in science, Baltas finds in both works a single-minded purpose, implacable reasoning, and an austerity of style that are rare in the history of philosophy. He analyzes the structure and content of each treatise, the authors’ intentions, the limitations and possibilities afforded by scientific discovery in their respective eras, their radical opposition to prevailing philosophical views, and draws out the particulars, as well as the implications, of the arresting match between the two.
This work seeks to shed light on one of the most enigmatic masterpieces of twentieth-century thought. At the heart of Eli Friedlander's interpretation is the internal relation between the logical and the ethical in the Tractatus, a relation that emerges in the work of drawing the limits of language.
To show how the Tractatus, far from separating the ethical and the logical into distinct domains, instead brings out their essential affinity, Friedlander focuses on Wittgenstein's use of the term "form," particularly his characterization of the form of objects. In this reading, the concept of form points to a threefold distinction in the text among the problematics of facts, objects, and the world. Most important, it provides a key to understanding how Wittgenstein's work opens a perspective on the world through the recognition of the form of objects rather than through the grasping of facts—thus revealing the dimensions of subjectivity involved in having a world, or in assuming that form of experience apart from systematic logic.
Bearing on the question of the divide between analytic and Continental philosophy, this interpretation views Wittgenstein's work as a possible mediation between these two central philosophical traditions of the modern age. It will interest Wittgenstein scholars as well as anyone concerned with twentieth-century philosophy.
Although Wittgenstein claimed that his first book, the Tractatus Logico-Philosophicus, was essentially an ethical work, it has been viewed insistently as a purely logical one. His later work, Philosophical Investigations, is generally seen as presenting totally different ideas from his earlier writings. In this book, Michael Hodges shows how Wittgenstein’s later work emerged from his earlier Tractatus, and he unifies the early philosophy, both its well-known logical aspects and the lesser known ethical dimensions, in terms of the notion of transcendence.
Hodges studies the Tractatus in light of Wittgenstein’s own claim that the Philosophical Investigations can only be understood when read against the background of the Tractatus. At the heart of an understanding of the earlier work is the idea of transcendence which structures both Wittgenstein’s logical and ethical insights. Seen in terms of this notion, the rigorous unity of Wittgenstein’s early thinking becomes apparent and the gestalt shift to the later philosophy comes clearly into focus.
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