front cover of Queer Country
Queer Country
Shana Goldin-Perschbacher
University of Illinois Press, 2022
  • A Variety Best Music Book of 2022
  • A No Depression Most Memorable Music Book of 2022
  • A Library Journal Best Arts and Humanities Book of 2022
  • A Pitchfork Best Music Book of 2022
  • A Boot Best Music Book of 2022
  • A Ticketmaster Best Music Book of 2022
  • A Happy Magazine Best Music Book of 2022
  • Woody Guthrie First Book Award winner
  • Awarded a Certificate of Merit in the 2023 ARSC Awards for Excellence in Historical Recorded Sound Research in the category Best Historical Research in Country, Folk, Roots, or World Music.

Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists’ expansive music and personal identities.

Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history.

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front cover of Queer Voices in Hip Hop
Queer Voices in Hip Hop
Cultures, Communities, and Contemporary Performance
Lauron J. Kehrer
University of Michigan Press, 2022
Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success.  In Queer Voices in Hip Hop, Lauron J. Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage.  Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre’s beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of hip hop’s queer roots.
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