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Race in the Crucible of War
African American Servicemen and the War in Vietnam
Gerald F. Goodwin
University of Massachusetts Press, 2023

When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable.  

In Race in the Crucible of War, Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home.

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Radicalism and the Origins of the Vietnamese Revolution
Hue-Tam Ho Tai
Harvard University Press, 1992

In the early years of the Vietnamese Revolution—the 1920s and 1930s—radicalism was the dominant force in anticolonial politics. The subsequent displacement of radicalism by communism, however, has obscured radicalism’s role as a nonideological reaction to both colonial rule and native accommodation to that rule. Hue-Tam Ho Tai seeks to redress the influence of radicalism on this crucial point in Vietnamese history. She reveals a vibrant and explosive era of student strikes, debates on women’s emancipation, revolt against the patriarchal family, and intellectual explorations of French and Chinese politics and thought.

Making instructive use of literacy sources, archival materials, and the unpublished memoirs of her father, himself a participant in these events, Tai persuasively sets right the personalities and spirit of the Revolution—and the culture from which it emerged.

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Rattler One-Seven
A Vietnam Helicopter Pilot's War Story
Chuck Gross
University of North Texas Press, 2004

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The Red Earth
A Vietnamese Memoir of Life on a Colonial Rubber Plantation
Binh Tu Tran
Ohio University Press, 1985

Phu Rieng was one of many French rubber plantations in colonial Vietnam; Tran Tu Binh was one of 17,606 laborers brought to work there in 1927, and his memoir is a straightforward, emotionally searing account of how one Vietnamese youth became involved in revolutionary politics. The connection between this early experience and later activities of the author becomes clear as we learn that Tran Tu Binh survived imprisonment on Con Son island to help engineer the general uprising in Hanoi in 1945.

The Red Earth is the first of dozens of such works by veterans of the 1924–45 struggle in Vietnam to be published in English translation. It is important reading for all those interested in the many-faceted history of modern Vietnam and of communism in the non-Western world.

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Return Engagements
Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh
Viet Lê
Duke University Press, 2021
In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
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Rice and Baguette
A History of Food in Vietnam
Vu Hong Lien
Reaktion Books, 2016
The once-obscure cuisine of Vietnam is, today, a favorite for many people from East to West. Adapted and modified over thousands of years, it is probably best known as a particularly delicious result of combining traditional southeast Asian cookery with visible outside influences—notably, the crunchy baguette—from its French-occupied past. Drawing on archeological evidence, oral and written histories, and wide-ranging research, Vu Hong Lien tells the complex and surprising history of food in Vietnam.
            Rice and Baguette traces the prehistoric Việt’s progress from hunter-gathers of mollusks and small animals to sophisticated agriculturalists. The book follows them as they developed new tools and practices to perfect the growing of their crops until rice became a crucial commodity,which then irrevocably changed their diet, lifestyle, and social structure. Along the way, the author shows how Việt cuisine was dramatically influenced by French colonial cookery and products, which introduced a whole new set of ingredients and techniques into Vietnam. Beautifully illustrated throughout and peppered with fascinating historical tales, Rice and Baguette reveals the long journey that Vietnamese food has traveled to become the much-loved cuisine that it is today.
 
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