Masculine codes of honor and dominance often are expressed in acts of violence, including war and terrorism. In Disarming Manhood: Roots of Ethical Resistance, David A.J. Richards examines the lives of five famous men—great leaders and crusaders—who actively resisted violence and presented their causes with more humane alternatives.Richards argues that Winston Churchill, William Lloyd Garrison, Mohandas Gandhi, Martin Luther King, and Leo Tolstoy shared a psychology whose nonviolent roots were deeply influenced by a loving, maternalistic ethos deeply influenced by the teachings of Jesus of Nazareth. Drawing upon psychology, history, political theory, and literature, Richards threads a connection between these leaders and the maternal figures who profoundly shaped their responses to conflict. Their lives and work underscore how the outlook of maternal care givers and women enables some men to resist the violent responses characteristic of traditional manhood. The voice of nonviolent masculinity has empowered important democratic movements of ethical transformation, including civil disobedience in South Africa, India, and the United States. Disarming Manhood demonstrates that as Churchill, Garrison, Gandhi, King, and Tolstoy carried out their various missions they were galvanized by teachings whose ethical foundations rejected unjust violence and favored peaceful alternatives. Accessibly written and free of jargon, Disarming Manhood's exploration of human nature and maternal bonds will interest a wide audience as it furthers the understanding of human nature itself and contributes to the fields of developmental psychology and feminist scholarship.

Taking up topics as diverse and timely as the work of FBI profilers, the pornography debates, feminist analyses of male supremacy as sexual abuse, the ritual meanings of fraternity gang rape, and the interplay of racial and sexual injustice, T. Walter Herbert illuminates the chronic masculine anxieties that seek compensation in fantasies of sexual coercion and in sexual offenses against women. His work offers an unusually clear view of this prevailing convention of insecure and destructive masculinity, which Herbert connects with contemporary analyses of male identity formation, sexuality, and violence and with cultural, political, and ideological developments reaching back to the nation's democratic beginnings.

Reading iconic nineteenth-century texts by Whitman, Hawthorne, and Stowe, and pursuing the articulation of their gender logic in Richard Wright's Native Son, Herbert traces a gender ideology of dominance and submission, its persistence in masculine subcultures like the military and big-time football, and its debilitating effects on imaginations and lives in our own day. In materials as diverse as Hannah Foster's post-Revolutionary War novel The Coquette and the Coen brothers' 1996 movie Fargo, this book taps into popular culture and high art alike to outline the logic of American manhood's violent streak--and its dire consequences for a culture with truly democratic and egalitarian ambitions.