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Digitizing Race
Visual Cultures of the Internet
Lisa Nakamura
University of Minnesota Press, 2007

In the nineties, neoliberalism simultaneously provided the context for the Internet’s rapid uptake in the United States and discouraged public conversations about racial politics. At the same time many scholars lauded the widespread use of text-driven interfaces as a solution to the problem of racial intolerance. Today’s online world is witnessing text-driven interfaces such as e-mail and instant messaging giving way to far more visually intensive and commercially driven media forms that not only reveal but showcase people’s racial, ethnic, and gender identity.

Lisa Nakamura, a leading scholar in the examination of race in digital media, uses case studies of popular yet rarely examined uses of the Internet such as pregnancy Web sites, instant messaging, and online petitions and quizzes to look at the emergence of race-, ethnic-, and gender-identified visual cultures.

While popular media such as Hollywood cinema continue to depict nonwhite nonmales as passive audiences or consumers of digital media rather than as producers, Nakamura argues the contrary—with examples ranging from Jennifer Lopez music videos; films including the Matrix trilogy, Gattaca, and Minority Report; and online joke sites—that users of color and women use the Internet to vigorously articulate their own types of virtual community, avatar bodies, and racial politics.

Lisa Nakamura is associate professor of speech communication and Asian American studies at the University of Illinois, Urbana-Champaign. She is the author of Cybertypes: Race, Ethnicity, and Identity on the Internet and coeditor, with Beth Kolko and Gilbert Rodman, of Race in Cyberspace.

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The Mongol Century
Visual Cultures of Yuan China, 1271-1368
Shane McCausland
Reaktion Books, 2015
The Mongol Century explores the visual world of China’s Yuan dynasty (1271–1368), the spectacular but relatively short-lived regime founded by Khubilai Khan, regarded as the preeminent khanate of the Mongol empire.

Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first book in English to adopt a fully comprehensive approach. It incorporates a broad range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. Fresh and invigorating, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.
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Visual Cultures
Edited by James Elkins
Intellect Books, 2010

Visual Cultures is the first study of the place of visuality and literacy in specific nations around the world, featuring authoritative, insightful essays on the value accorded to the visual and the verbal in Japan, Poland, China, Russia, Ireland, and Slovenia.

Focusing on the national instead of the global, distinguished art critic James Elkins offers a critique of general histories of visuality, such as those of Martin Jay or Jean Baudrillard, as well as a critique of local histories of visuality, as in Third Text and other postcolonial studies. The content is not only analytic, but also historical, tracing changes in the significance of visual and verbal literacy in each nation. Visual Cultures also explores questions of national identity and the many issues Elkins raises suggest a wealth of promising avenues for future research.

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front cover of Visual Cultures of Japanese Imperialism, Volume 8
Visual Cultures of Japanese Imperialism, Volume 8
Gennifer Weisenfeld, ed.
Duke University Press
Under pressure of cultural colonization from the West and expanding an imperialist force and cultural colonizer within Asia, Japan occupied a unique space on the international landscape in the years from the beginning of the Meiji Period to the Pacific War. This special issue of positions examines the integral role that visual culture played both in representing and constituting this imperial reality.
The articles, contributed by scholars in the fields of art history, cultural history, and Japanese literature, address the interactions between Japan, the West, and the rest of Asia. Costumes, architecture, tourism propaganda, pottery, and a host of other sources provide the raw materials for Visual Cultures of Japanese Imperialism, and the incisive essays built from these sources will change readers’ understanding of the visual culture(s) of imperialism.

Contributors. Kim Brandt, Leo Ching, Carol Ann Christ, Christine Guth, Jordan Sand, Gennifer Weisenfeld, Cherie Wendelken

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