front cover of Karawitan
Karawitan
Source Readings in Javanese Gamelan and Vocal Music, Volume 1
Edited by Judith Becker with assistance from Alan H. Feinstein
University of Michigan Press, 1984
The twentieth century has spawned a great interest in Indonesian music, and now books, articles, and manuscripts can be found that expound exclusively about karawitan (the combined vocal and instrumental music of the gamelan). Scholar Judith Becker has culled several key sources on karawitan into three volumes and has translated them for the benefit of the Western student of the gamelan tradition.
The texts in her collection were written over a forty-five-year time period (ca 1930–1975) and include articles by Martopangrawit, Sumarsam, Sastrapustaka, Gitosaprodjo, Sindoesawarno, Poerbapangrawit, Probohardjono, Warsadiningrat, Purbodiningrat, Poerbatjaraka, and Paku Buwana X. The final volume also contains a glossary of technical terms, an appendix of the Javanese cipher notations (titilaras kepatihan), a biographical listing, and an index to the musical pieces (Gendhing).
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front cover of Karawitan
Karawitan
Source Readings in Javanese Gamelan and Vocal Music, Volume 2
Edited by Judith Becker with assistance from Alan H. Feinstein
University of Michigan Press, 1987
The twentieth century has spawned a great interest in Indonesian music, and now books, articles, and manuscripts can be found that expound exclusively about karawitan (the combined vocal and instrumental music of the gamelan). Scholar Judith Becker has culled several key sources on karawitan into three volumes and has translated them for the benefit of the Western student of the gamelan tradition.
The texts in her collection were written over a forty-five-year time period (ca 1930–1975) and include articles by Martopangrawit, Sumarsam, Sastrapustaka, Gitosaprodjo, Sindoesawarno, Poerbapangrawit, Probohardjono, Warsadiningrat, Purbodiningrat, Poerbatjaraka, and Paku Buwana X. The final volume also contains a glossary of technical terms, an appendix of the Javanese cipher notations (titilaras kepatihan), a biographical listing, and an index to the musical pieces (Gendhing).
[more]

front cover of Karawitan
Karawitan
Source Readings in Javanese Gamelan and Vocal Music, Volume 3
Edited by Judith Becker with assistance from Alan H. Feinstein
University of Michigan Press, 1988
The twentieth century has spawned a great interest in Indonesian music, and now books, articles, and manuscripts can be found that expound exclusively about karawitan (the combined vocal and instrumental music of the gamelan). Scholar Judith Becker has culled several key sources on karawitan into three volumes and has translated them for the benefit of the Western student of the gamelan tradition.
The texts in her collection were written over a forty-five-year time period (ca 1930–1975) and include articles by Martopangrawit, Sumarsam, Sastrapustaka, Gitosaprodjo, Sindoesawarno, Poerbapangrawit, Probohardjono, Warsadiningrat, Purbodiningrat, Poerbatjaraka, and Paku Buwana X. The final volume also contains a glossary of technical terms, an appendix of the Javanese cipher notations (titilaras kepatihan), a biographical listing, and an index to the musical pieces (Gendhing).
[more]

logo for Harvard University Press
Thematic Catalogue of the Works of Giovanni Battista Sammartini
Orchestral and Vocal Music
Newell Jenkins and Bathia Churgin
Harvard University Press, 1976

A leading eighteenth-century composer, Sammartini was a key figure in the creation of the classic style, particularly the classic symphony. His symphonies and sonatas have survived in greatest number, but of equal interest is the sacred vocal music, a product of his lifelong service as a church musician. This volume lists all Sammartini's known orchestral and vocal works, sacred and secular—286 items. The entries give an incipit of each movement; instrumentation; date if known; a list of early manuscript and printed copies; and other significant information about variants, circumstances of performance, singers, copyists, and the like. The appendices list arrangements, contrafacta, and lost, doubtful, and spurious works.

Music collections in more than seventy-five libraries have been examined in gathering this material. Most compositions are listed here for the first time. In their introduction the authors provide a detailed biography, and discuss the composer's style, the major manuscript sources, and problems of authenticity. They have also included an extensive bibliography. Their book is basic to any study of Sammartini and of this pivotal period in the history of Western music.

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