The phenomenon known as Hip Hop encompasses a global, multiethnic, grassroots culture committed to social justice and self-expression through performance. Hip Hop Theater emerged from that culture, mixing spoken-word performance with music and dance and marked by Hip Hop's strong sense of activism and resistance. Hip Hop Theater is engaged with questions of identity – culture, heritage, ethnicity, class, gender, sexuality, and difference—narrating the experiences of historically marginalized peoples and putting them in dialogue with other oppressed communities.

Say Word! Voices from Hip Hop Theater collects eight works by contemporary artists who confront today's compelling issues, ranging from racial profiling and police brutality to women's empowerment and from the commercial exploitation of Hip Hop to identity politics. Editor Daniel Banks has assembled work by Abiola Abrams, Zakiyyah Alexander, Chadwick Boseman, Kristoffer Diaz, Rha Goddess, Antoy Grant, Joe Hernandez-Kolski, Rickerby Hinds, and Ben Snyder, augmented with an extensive introduction and other informative commentary. The book also includes a roundtable moderated by Holly Bass and featuring Hip Hop pioneers Eisa Davis, Danny Hoch, Sarah Jones, and Will Power, a conversation that traces the roots of Hip Hop Theater and imagines its future directions.

Many of America’s greatest Protestant preachers—Paul Tillich, William Sloane Coffin, Barbara Brown Taylor, Fleming Rutledge, Peter J. Gomes, Billy Graham, and others—have spoken powerfully from the pulpit of the “great towering church” that is the spiritual and architectural center of Duke University. This collection of fifty-eight of the most notable sermons proclaimed from that pulpit commemorates the seventy-fifth anniversary of the groundbreaking for Duke Chapel. It is a sweeping panorama of sermons selected and edited by Bishop William H. Willimon, Dean of the Chapel for twenty years and one of the most widely read writers on preaching in America.

Opening with the sermon preached in June 1935 at the dedication of the Chapel and closing with one by Willimon delivered at the beginning of the 2003–4 school year, this volume presents Protestant Christianity at its most eloquent and prophetic. Some sermons are pure meditations on biblical texts; others are period pieces in the best sense of the term, reflecting on such contemporary concerns as civil rights, the assassinations of Martin Luther King Jr. and Robert F. Kennedy, and the wars in Europe, Vietnam, and Iraq. Willimon provides a brief introduction to each sermon, commenting on the work and thought of the preacher. Diverse in subject and style, the sermons collected in this volume are a treasure for those who love fine preaching, a resource for those studying the history of homiletics, and a light to rekindle the memories of those who have worshiped in the Chapel over the years.

Cochlear implants, mainstreaming, genetic engineering, and other ethical dilemmas  confronting deaf people mandated a new, wide-ranging examination of these issues, fulfilled by Signs and Voices: Deaf Culture, Identity, Language, and Arts. This collection, carefully chosen from the 2004 Signs and Voices Conference, the Presidential Forum on American Sign Language at the Modern Language Association Convention, and other sources, addresses all of the factors now changing the cultural landscape for deaf people. To ensure quality and breadth of knowledge, editors Kristin A. Lingren, Doreen DeLuca, and Donna Jo Napoli selected the work of renowned scholars and performers Shannon Allen, H-Dirksen L. Bauman, Adrian Blue, Brenda Jo Brueggemann, Teresa Blankmeyer Burke, Peter Cook, David P. Corina, Michael Davidson, Kristen Harmon, Tom Humphries, Sotaro Kita,  Heather Knapp, Robert G. Lee, Irene W. Leigh, Kenny Lerner, Carole Neidle, Peter Novak, AslI Özyürek, David M. Perlmutter, Anne Senghas, and Ronnie Wilbur.

Signs and Voices is divided into three sections—Culture and Identity, Language and Literacy, and American Sign Language in the Arts—each of which focuses on a particular set of theoretical and practical concerns. Also, the included DVD presents many of the performances from the Arts section. Taken together, these essays and DVD point to new directions in a broad range of fields, including cognitive science, deaf studies, disability studies, education, linguistics, literary criticism, philosophy, and psychology. This extraordinary showcase of innovative and rigorous cross-disciplinary study will prove invaluable to everyone interested in the current state of the Deaf community.

Twenty-five Latina agents of change share their inspirational stories.

Celebrated Latina civil rights activist Dolores Huerta once said, “Every moment is an organizing opportunity, every person a potential activist, every minute a chance to change the world.” These are the stories of some of the Latina activists from Wisconsin who have lived Huerta’s words. Somos Latinas shares the powerful narratives of 25 activists—from outspoken demonstrators to collaborative community-builders to determined individuals working for change behind the scenes—providing proof of the long-standing legacy of Latina activism throughout Wisconsin. 

Somos Latinas draws on activist interviews conducted as part of the Somos Latinas Digital History Project, housed at the Wisconsin Historical Society, and looks deep into the life and passion of each woman. Though Latinas have a rich history of community activism in the state and throughout the country, their stories often go uncelebrated. Somos Latinas is essential reading for scholars, historians, activists, and anyone curious about how everyday citizens can effect change in their communities.