front cover of Austerity and Revolt, Volume 113
Austerity and Revolt, Volume 113
Werner Bonefeld and John Holloway, special issue editors
Duke University Press
In recent years we have witnessed massive demonstrations of denial, refusal, and rejection exploding in one country after another. The squares of the world have become organizational focal points for rebellion and repression. What does such collective negation mean, and what comes afterward? This issue explores the forms of a reinvigorated, experimental communism: councils, assemblies, communes, squares, occupys, horizontalism, recovered factories, and cooperative farms and community gardens. Practitioners of this new model of “communism as communizing” attempt to change fundamental social relations from the bottom up.

By combining insider knowledge with sophisticated theoretical scrutiny, the contributors to this issue approach eruptions of rebellion from a variety of historical, economic, and methodological perspectives. Writing not only about but also within such forces of progressive resistance around the world, they investigate the complex, hopeful, and contradictory process of creating new social, economic, and political structures through negation.

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logo for Harvard University Press
Harvard Studies in Classical Philology, Volume 113
Jan M. Ziolkowski
Harvard University Press
This volume includes: Andrew Merritt, “ἔρυμαι and ἐρύκω”; Georgios Kostopoulos, “Vowel Lengthening in Attic Primary Comparatives”; Christian Vassallo, “Xenophanes on the Soul: Another Chapter of Ancient Physics”; Guy Westwood, “Making a Martyr: Demosthenes and Euphraeus of Oreus (Third Philippic 59–62)”; Peter Osorio, “Trust and Persuasion: Testimony in [Plato], Demodocus”; James J. Clauss and Scott B. Noegel, “Near Eastern Poetics in Callimachus’s Hymn to Apollo”; Robert Cowan, “Ucalegon and the Gauls: Aeneid 2 and the Hymn to Delos Revisited”; Christoph Begass, “Aktia and Isaktioi Agones: Greek Contests and Roman Power”; and Chiara Meccariello, “Myth and Actuality at the School of Rhetoric: The Encomium on the Flower of Antinous in Its Cultural and Performative Context.”
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