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Natural History, Volume I
Books 1–2
Pliny
Harvard University Press

An unrivaled compendium of ancient Roman knowledge.

Pliny the Elder, Gaius Plinius Secundus (AD 23–79), a Roman of equestrian rank of Transpadane Gaul (N. Italy), was uncle of Pliny the letter writer. He pursued a career partly military in Germany, partly administrative in Gaul and Spain under the emperor Vespasian, and became prefect of the fleet at Misenum. He died in the eruption of Vesuvius when he went to get a closer view and to rescue friends. Tireless worker, reader, and writer, he was author of works now lost; but his great Natural History in thirty-seven books with its vast collection of facts (and alleged facts) survives—a mine of information despite its uncritical character.

The contents of the books are as follows. Book 1: table of contents of the others and of authorities; 2: mathematical and metrological survey of the universe; 3–6: geography and ethnography of the known world; 7: anthropology and the physiology of man; 8–11: zoology; 12–19: botany, agriculture, and horticulture; 20–27: plant products as used in medicine; 28–32: medical zoology; 33–37: minerals (and medicine), the fine arts, and gemstones.

The Loeb Classical Library edition of Natural History is in ten volumes.

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Natural Questions, Volume I
Books 1–3
Seneca
Harvard University Press, 1971

Following nature in pursuit of ethics.

Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle.

We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost.

The treatises on natural phenomena, Naturales Quaestiones, are collected in Volumes VII and X of the Loeb Classical Library’s ten-volume edition of Seneca.

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front cover of Nazi Psychoanalysis V1
Nazi Psychoanalysis V1
Volume I: Only Psychoanalysis Won the War
Laurence A. Rickels
University of Minnesota Press, 2002

A revolutionary new approach to the place of Nazi ideology in twentieth-century thought

Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.

Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence—one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.
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