front cover of ELEGIAC CITYSCAPE
ELEGIAC CITYSCAPE
PROPERTIUS & THE MEANING OF ROMAN MONUMENTS
TARA S WELCH
The Ohio State University Press, 2005
Throughout its history, the city of Rome has inspired writers to describe its majesty, to situate themselves within its sweeping landscape, and to comment upon its contribution to their own identity. The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome’s public buildings. The relationship between poet and city is complicated at every turn with the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the cityscape had yet seen.

The Elegiac Cityscape explores Propertius’ Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius’ poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome’s monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome’s traditional values.
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front cover of Tarpeia
Tarpeia
Workings of a Roman Myth
Tara S. Welch
The Ohio State University Press, 2015
According to legends of Rome’s foundation, Tarpeia was a maiden who betrayed Romulus’ city to the invading Sabines. She was then crushed to death by the Sabines’ shields and her body hurled from the Tarpeian Rock, which became the place from which subsequent traitors of the city were thrown. In this volume, Tara S. Welch explores the uses and contours of Tarpeia’s myth through several centuries of Roman history and across several types of ancient sources, including Latin and Greek texts in various genres.
 
Welch demonstrates how ancient thinkers used Tarpeia’s myth to highlight matters of ethics, gender, ethnicity, political authority, language, conquest, and tradition. This cluster of themes reveals that Tarpeia’s myth is not primarily about what it means to be human, but rather what it means to be Roman. Thus Tarpeia’s story spans centuries, distances, genres, and modes of communication—Rome itself did. No Greek city-state could admit such continuity, and Greece was never so constant. In this way, though Tarpeia has a dozen Greek cousins whose stories are similar to hers, hers is a powerfully Roman myth, even for the Greeks who told her tale. She is token, totem, and symbol of Rome.
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