front cover of Double Toil and Trouble
Double Toil and Trouble
A New Novel and Short Stories by Donald Harington
Donald Harington
University of Arkansas Press, 2020
Double Toil and Trouble is the first new volume of fiction in more than a decade by beloved Arkansas writer Donald Harington (1935–2009). Featuring the long-lost suspense novel of the title and four previously unpublished or uncollected stories, this volume adds several new chapters to the saga of Stay More, the fictional Ozarks village that serves as the setting for more than a dozen other Harington novels.

Edited by longtime Harington scholar Brian Walter, Double Toil and Trouble also includes an appendix featuring the author’s spirited correspondence with the editor who originally inspired the title novel, providing an insider’s look at the American literary scene and Harington’s own early assessment of his work. Spanning several decades of the author’s career, this volume gives readers a Harington who is at once familiar and fresh as he experiments with new formal possibilities, only to once again endear the vagaries of love, life, and folk language to us.
 
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front cover of The Guestroom Novelist
The Guestroom Novelist
A Donald Harington Miscellany
Donald Harington
University of Arkansas Press, 2019

Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews.

The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.”

This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.

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