front cover of Historic Capital
Historic Capital
Preservation, Race, and Real Estate in Washington, D.C.
Cameron Logan
University of Minnesota Press, 2017

Washington, D.C. has long been known as a frustrating and sometimes confusing city for its residents to call home. The monumental core of federal office buildings, museums, and the National Mall dominates the city’s surrounding neighborhoods and urban fabric. For much of the postwar era, Washingtonians battled to make the city their own, fighting the federal government over the basic question of home rule, the right of the city’s residents to govern their local affairs.  

In Historic Capital, urban historian Cameron Logan examines how the historic preservation movement played an integral role in Washingtonians’ claiming the city as their own. Going back to the earliest days of the local historic preservation movement in the 1920s, Logan shows how Washington, D.C.’s historic buildings and neighborhoods have been a site of contestation between local interests and the expansion of the federal government’s footprint. He carefully analyzes the long history of fights over the right to name and define historic districts in Georgetown, Dupont Circle, and Capitol Hill and documents a series of high-profile conflicts surrounding the fate of Lafayette Square, Rhodes Tavern, and Capitol Park, SW before discussing D.C. today.

Diving deep into the racial fault lines of D.C., Historic Capital also explores how the historic preservation movement affected poor and African American residents in Anacostia and the U Street and Shaw neighborhoods and changed the social and cultural fabric of the nation’s capital. Broadening his inquiry to the United States as a whole, Logan ultimately makes the provocative and compelling case that historic preservation has had as great an impact on the physical fabric of U.S. cities as any other private or public sector initiative in the twentieth century.

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logo for Intellect Books
World Film Locations
Washington D.C.
Edited by Katherine Larsen
Intellect Books, 2015
Freedom and democracy. Bills and laws. Bureaucracy and red tape. Washington, DC, the capital of the United States, is known for many things, mostof them related to the inner workings of the government. But it is also a city of carefully planned parks, trees exploding with cherry blossoms in spring, and bright sunshine polishing the gleaming white of stately memorials. With no shortage of iconic American landscapes, such as the vast National Mall; buildings, from the White House and the Capitol to the Watergate Hotel and the Kennedy Center for the Performing Arts; and monuments, including the Washington Monument and the Vietnam Veterans Memorial, it is at once synonymous with the country it governs and a world apart.
This friction animates and attracts filmmakers, who use the District's landmarks as a shorthand to express and investigate contemporary ideals and concerns about American society. Films set there both celebrate and castigate the grand American experiment it symbolizes. From Frank Capra’s 1939 Mr. Smith Goes to Washington to the alien invasion blockbuster Independence Day, films set in Washington depict our most ardent hopes and bring to life our darkest fears.
World Film Locations: Washington, D.C., collects essays and articles about Washington film history and locations. Featuring explorations of carefully chosen film scenes and key historical periods, the book examines themes, directors, and depictions and is illustrated with evocative movie stills, city maps, and location photographs. Taken as a whole, this is essential reading for any cinephile who has ever wondered how a bill becomes a law.
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