front cover of City at the Water's Edge
City at the Water's Edge
A Natural History of New York
McCully, Betsy
Rutgers University Press, 2007
Concrete floors and concrete walls, buildings that pierce the sky, taxicabs and subway corridors, a steady din of noise. These things, along with a virtually unrivaled collection of museums, galleries, performance venues, media outlets, international corporations, and stock exchanges make New York City not only the cultural and financial capital of the United States, but one of the largest and most impressive urban conglomerations in the world. With distinctions like these, is it possible to imagine the city as any more than this?

City at the Water's Edge invites readers to do just that. Betsy McCully, a long-time urban dweller, argues that this city of lights is much more than a human-made metropolis. It has a rich natural history that is every bit as fascinating as the glitzy veneer that has been built atop it. Through twenty years of nature exploration, McCully has come to know New York as part of the Lower Hudson Bioregion-a place of salt marshes and estuaries, sand dunes and barrier islands, glacially sculpted ridges and kettle holes, rivers and streams, woodlands and outwash plains. Here she tells the story of New York that began before the first humans settled in the region twelve thousand years ago, and long before immigrants ever arrived at Ellis Island. The timeline that she recounts is one that extends backward half a billion years; it plumbs the depths of Manhattan's geological history and forecasts a possible future of global warming, with rising seas lapping at the base of the Empire State Building.

Counter to popular views that see the city as a marvel of human ingenuity diametrically opposed to nature, this unique account shows how the region has served as an evolving habitat for a diversity of species, including our own. The author chronicles the growth of the city at the expense of the environment, but leaves the reader with a vision of a future city as a human habitat that is brought into balance with nature.
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front cover of Standing at the Water's Edge
Standing at the Water's Edge
Bob Straub's Battle for the Soul of Oregon
Charles K. Johnson
Oregon State University Press, 2012
Standing at the Water’s Edge chronicles the life of a unique, and perhaps unlikely, political figure in Oregon’s history: former Governor Robert W. Straub.

A man of intelligence, drive, creativity, and fascinating contradictions, Straub overcame personal challenges and inevitable comparisons to his charismatic predecessor and friendly Republican rival, Tom McCall, to have a lasting impact on Oregon and the nation. Charles Johnson shares insights into Straub’s significant legacy, focusing on his leading role in the state’s financial and environmental issues and his influence on McCall. Johnson also reveals much of Straub’s warm personal story, along with his secret struggles, including his battle with depression while Governor.

Standing at the Water’s Edge
offers rich descriptions of other intriguing political figures of the time as well, capturing the flavor of what has been called Oregon’s political “golden age” of the sixties and seventies—created in part by the symbiotic relationship between Straub and McCall—and describing how and why it ended.

Standing at the Water’s Edge is an essential addition to the literature about Oregon’s political leaders for historians, political scientists, and general readers interested in Oregon history.
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front cover of Water's Edge
Water's Edge
Writing on Water
Edited by Lenore Manderson and Forrest Gander
Northwestern University Press, 2023

A wide-ranging consideration of water’s plenitude and paucity—and of our relationship to its many forms

Water is quotidian, ubiquitous, precious, and precarious. With their roots in this element, the authors of Water’s Edge reflect on our natural environment: its forms, textures, and stewardship. Born from a colloquium organized by the editors at the Institute at Brown for Environment and Society, the anthology features a diverse group of writers and artists from half a dozen countries, from different fields of scholarship and practice: artists, biologists, geologists, poets, ecocritics, actors, and anthropologists. The contributors explore and celebrate water while reflecting on its disturbances and pollution, and their texts and art play with the boundaries by which we differentiate literary forms.

In the creative nonfiction, poetry, and visual art collected here, water moves from backdrop to subject. Ashley Dawson examines the effects of industrial farming on the health of local ecosystems and economies. Painter Kulvinder Kaur Dhew captures water’s brilliance and multifaceted reflections through a series of charcoal pieces that interlace the collection. Poet Arthur Sze describes the responsibility involved in the careful management of irrigation ditches in New Mexico. Rather than concentrating their thoughts into a singular, overwhelming argument, the authors circulate moments of apprehension, intimation, and felt experience. They are like tributaries, each carrying, in a distinctive style, exigent and often intimate reports concerning a substance upon which all living organisms depend.

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